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Musical encounters in Korean christi...

Chang, Hyun Kyong.

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Musical encounters in Korean christianity: A trans-pacific narrative.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Musical encounters in Korean christianity: A trans-pacific narrative./
Author:	Chang, Hyun Kyong.
Description:	256 p.
Notes:	Source: Dissertation Abstracts International, Volume: 75-07(E), Section: A.
Contained By:	Dissertation Abstracts International75-07A(E).
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3614093
ISBN:	9781303789458

Musical encounters in Korean christianity: A trans-pacific narrative.
Chang, Hyun Kyong.

Musical encounters in Korean christianity: A trans-pacific narrative. - 256 p.

Source: Dissertation Abstracts International, Volume: 75-07(E), Section: A.

Thesis (Ph.D.)--University of California, Los Angeles, 2014.

My dissertation examines Protestant choral music in Korea from its introduction by American missionaries in the early 20th century through its transnational diffusion and development during the Cold War and after. Drawing on recent bodies of scholarship in postcolonial studies, Asian American Studies, and East Asian Studies, as well as a mixed approach involving ethnographic, critical, and historical methods, I argue that Korean Protestant choral music played an important role in mediating the experience of modernity in modern Korea and the Korean diaspora in the U.S. I explore the development of this music practice as a hegemonic cultural formation and contextualize its privileged position in the entanglement of secular and Christian musical conceptions of modernity and nationhood--an entanglement facilitated by Korean Protestantism's close association with trans-Pacific modernity, with the U.S. at the center of this imagination. In addition to exploring the formation of normative choral and vocal music styles in historical context, I analyze the resistance of many practitioners to the demands and claims of cross-cultural musical syncretism and consider the controversial composition of neotraditional styles, which encode embodied, contested conceptions of Korean identity within a Western-style choral musical framework. This dissertation is a dynamic study of the ways in which colonial discourse concerning voice, nation, class, and gender shapes the affective and stylistic conditions of colonial and postcolonial music practices.

ISBN: 9781303789458Subjects--Topical Terms:

516178
Music.

Musical encounters in Korean christianity: A trans-pacific narrative.
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100 1 $a Chang, Hyun Kyong. $3 2105336
245 1 0 $a Musical encounters in Korean christianity: A trans-pacific narrative.
300 $a 256 p.
500 $a Source: Dissertation Abstracts International, Volume: 75-07(E), Section: A.
500 $a Adviser: Olivia Bloechl.
502 $a Thesis (Ph.D.)--University of California, Los Angeles, 2014.
520 $a My dissertation examines Protestant choral music in Korea from its introduction by American missionaries in the early 20th century through its transnational diffusion and development during the Cold War and after. Drawing on recent bodies of scholarship in postcolonial studies, Asian American Studies, and East Asian Studies, as well as a mixed approach involving ethnographic, critical, and historical methods, I argue that Korean Protestant choral music played an important role in mediating the experience of modernity in modern Korea and the Korean diaspora in the U.S. I explore the development of this music practice as a hegemonic cultural formation and contextualize its privileged position in the entanglement of secular and Christian musical conceptions of modernity and nationhood--an entanglement facilitated by Korean Protestantism's close association with trans-Pacific modernity, with the U.S. at the center of this imagination. In addition to exploring the formation of normative choral and vocal music styles in historical context, I analyze the resistance of many practitioners to the demands and claims of cross-cultural musical syncretism and consider the controversial composition of neotraditional styles, which encode embodied, contested conceptions of Korean identity within a Western-style choral musical framework. This dissertation is a dynamic study of the ways in which colonial discourse concerning voice, nation, class, and gender shapes the affective and stylistic conditions of colonial and postcolonial music practices.
590 $a School code: 0031.
650 4 $a Music. $3 516178
650 4 $a Asian Studies. $3 1669375
650 4 $a History, General. $3 1017448
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710 2 $a University of California, Los Angeles. $b Musicology 0604. $3 2095980
773 0 $t Dissertation Abstracts International $g 75-07A(E).
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793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3614093