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Beethoven's Sketches for the Piano S...

Chae, Lana.

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Beethoven's Sketches for the Piano Sonata Opus 106, Hammerklavier: The Sketching of a Performance.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Beethoven's Sketches for the Piano Sonata Opus 106, Hammerklavier: The Sketching of a Performance./
Author:	Chae, Lana.
Description:	255 p.
Notes:	Source: Dissertation Abstracts International, Volume: 75-04(E), Section: A.
Contained By:	Dissertation Abstracts International75-04A(E).
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3607953
ISBN:	9781303657009

Beethoven's Sketches for the Piano Sonata Opus 106, Hammerklavier: The Sketching of a Performance.
Chae, Lana.

Beethoven's Sketches for the Piano Sonata Opus 106, Hammerklavier: The Sketching of a Performance. - 255 p.

Source: Dissertation Abstracts International, Volume: 75-04(E), Section: A.

Thesis (D.M.A.)--University of California, Los Angeles, 2014.

Chronological and biographical information as well as insight into Beethoven's compositional processes have long justified the difficult and laborious study of Beethoven's sketches; but to date such study has not included any bearing this knowledge might have on performance choices. Although the limited sketch sources for Beethoven's Piano Sonata Opus 106, the Hammerklavier, suggest that the number of missing sketches for Opus 106 is much greater than the number of sketches we actually have, closer study of them reveals the Hammerklavier to be the self-referential record of Beethoven's difficulties with its composition. This requires the performer of Opus 106 to make the same difficult decisions during his/her live performance that Beethoven made during the fifteen months of its composition, as documented on the pages of his sketches. It is from the sketches that we learn just what kind of performative act a performance of the Hammerklavier is meant to be.

ISBN: 9781303657009Subjects--Topical Terms:

516178
Music.

Beethoven's Sketches for the Piano Sonata Opus 106, Hammerklavier: The Sketching of a Performance.
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245 1 0 $a Beethoven's Sketches for the Piano Sonata Opus 106, Hammerklavier: The Sketching of a Performance.
300 $a 255 p.
500 $a Source: Dissertation Abstracts International, Volume: 75-04(E), Section: A.
500 $a Adviser: Neal Stulberg.
502 $a Thesis (D.M.A.)--University of California, Los Angeles, 2014.
520 $a Chronological and biographical information as well as insight into Beethoven's compositional processes have long justified the difficult and laborious study of Beethoven's sketches; but to date such study has not included any bearing this knowledge might have on performance choices. Although the limited sketch sources for Beethoven's Piano Sonata Opus 106, the Hammerklavier, suggest that the number of missing sketches for Opus 106 is much greater than the number of sketches we actually have, closer study of them reveals the Hammerklavier to be the self-referential record of Beethoven's difficulties with its composition. This requires the performer of Opus 106 to make the same difficult decisions during his/her live performance that Beethoven made during the fifteen months of its composition, as documented on the pages of his sketches. It is from the sketches that we learn just what kind of performative act a performance of the Hammerklavier is meant to be.
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