東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The imperative education of theater ...

Prior, Robert A.

FindBook

Google Book

Amazon

博客來

The imperative education of theater artists.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The imperative education of theater artists./
作者:	Prior, Robert A.
面頁冊數:	43 p.
附註:	Source: Masters Abstracts International, Volume: 52-05.
Contained By:	Masters Abstracts International52-05(E).
標題:	Theater. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1527577
ISBN:	9781303796166

The imperative education of theater artists.
Prior, Robert A.

The imperative education of theater artists. - 43 p.

Source: Masters Abstracts International, Volume: 52-05.

Thesis (M.F.A.)--California State University, Long Beach, 2013.

David Mamet's book of essays True and False: Heresy and Common Sense for the Actor boldly claims that formal training, particularly of the academic variety, is of no use to aspiring theater artists. This thesis argues for the importance and validity of such training. It is a defense of both formal training and ofStanislavski--the father of almost all contemporary training systems and a figure particularly irksome to Mamet. The thesis is supported by examples gleaned from my own formal education in theater and from insights gained directing student actors on my final project for my MFA, Kira Obelensky's play Lobster Alice.

ISBN: 9781303796166Subjects--Topical Terms:

522973
Theater.

The imperative education of theater artists.
LDR:01459nam a2200277 4500 001 1968084
005 20141203121051.5
008 150210s2013 ||||||||||||||||| ||eng d
020 $a 9781303796166
035 $a (MiAaPQ)AAI1527577
035 $a AAI1527577
040 $a MiAaPQ $c MiAaPQ
100 1 $a Prior, Robert A. $3 2105200
245 1 4 $a The imperative education of theater artists.
300 $a 43 p.
500 $a Source: Masters Abstracts International, Volume: 52-05.
500 $a Adviser: Joanne Gordon.
502 $a Thesis (M.F.A.)--California State University, Long Beach, 2013.
520 $a David Mamet's book of essays True and False: Heresy and Common Sense for the Actor boldly claims that formal training, particularly of the academic variety, is of no use to aspiring theater artists. This thesis argues for the importance and validity of such training. It is a defense of both formal training and ofStanislavski--the father of almost all contemporary training systems and a figure particularly irksome to Mamet. The thesis is supported by examples gleaned from my own formal education in theater and from insights gained directing student actors on my final project for my MFA, Kira Obelensky's play Lobster Alice.
590 $a School code: 6080.
650 4 $a Theater. $3 522973
650 4 $a Education, Performing Arts. $3 1674506
690 $a 0465
690 $a 0457
710 2 $a California State University, Long Beach. $3 1017843
773 0 $t Masters Abstracts International $g 52-05(E).
790 $a 6080
791 $a M.F.A.
792 $a 2013
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1527577