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The socio-political dimension of Dag...

Woma, Bernard.

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The socio-political dimension of Dagara funeral ritual, music and dirge.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The socio-political dimension of Dagara funeral ritual, music and dirge./
Author:	Woma, Bernard.
Description:	95 p.
Notes:	Source: Masters Abstracts International, Volume: 51-06.
Contained By:	Masters Abstracts International51-06(E).
Subject:	African Studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1537711
ISBN:	9781303093197

The socio-political dimension of Dagara funeral ritual, music and dirge.
Woma, Bernard.

The socio-political dimension of Dagara funeral ritual, music and dirge. - 95 p.

Source: Masters Abstracts International, Volume: 51-06.

Thesis (M.A.)--Indiana University, 2013.

The ultimate goal of this thesis is to analyze and document the Dagara funeral music and dirge from a socio-political context. Funerals are important social rituals and serve as a place of public discourse through which both musicians and dirge singers can express and communicate their feelings about social concerns confronting the daily lives of the ordinary people. Because of their political themes, funeral music and dirge are considered by the Dagara as the most important form of public discourse. This thesis explores the performance aspects of this musical complex, drawing out the textual interpretations as well as the political implications of Dagara funeral music and dirge.

ISBN: 9781303093197Subjects--Topical Terms:

1669436
African Studies.

The socio-political dimension of Dagara funeral ritual, music and dirge.
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100 1 $a Woma, Bernard. $3 2104352
245 1 4 $a The socio-political dimension of Dagara funeral ritual, music and dirge.
300 $a 95 p.
500 $a Source: Masters Abstracts International, Volume: 51-06.
500 $a Adviser: Daniel Reed.
502 $a Thesis (M.A.)--Indiana University, 2013.
520 $a The ultimate goal of this thesis is to analyze and document the Dagara funeral music and dirge from a socio-political context. Funerals are important social rituals and serve as a place of public discourse through which both musicians and dirge singers can express and communicate their feelings about social concerns confronting the daily lives of the ordinary people. Because of their political themes, funeral music and dirge are considered by the Dagara as the most important form of public discourse. This thesis explores the performance aspects of this musical complex, drawing out the textual interpretations as well as the political implications of Dagara funeral music and dirge.
590 $a School code: 0093.
650 4 $a African Studies. $3 1669436
650 4 $a Music. $3 516178
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710 2 $a Indiana University. $b African Studies. $3 2094341
773 0 $t Masters Abstracts International $g 51-06(E).
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791 $a M.A.
792 $a 2013
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1537711