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Art of the Cold War: How the United ...
~
Drewel, Amy Lynn.
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Art of the Cold War: How the United States and France depended on "Whistler's Mother," the "Mona Lisa," and Georgia O'Keeffe to strengthen relations.
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Art of the Cold War: How the United States and France depended on "Whistler's Mother," the "Mona Lisa," and Georgia O'Keeffe to strengthen relations./
Author:
Drewel, Amy Lynn.
Description:
71 p.
Notes:
Source: Masters Abstracts International, Volume: 52-05.
Contained By:
Masters Abstracts International52-05(E).
Subject:
History, European. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1552811
ISBN:
9781303739613
Art of the Cold War: How the United States and France depended on "Whistler's Mother," the "Mona Lisa," and Georgia O'Keeffe to strengthen relations.
Drewel, Amy Lynn.
Art of the Cold War: How the United States and France depended on "Whistler's Mother," the "Mona Lisa," and Georgia O'Keeffe to strengthen relations.
- 71 p.
Source: Masters Abstracts International, Volume: 52-05.
Thesis (M.A.)--The Florida State University, 2013.
Since the post-modernist turn in academic history, there has been an increasing interest in cultural diplomacy particularly in regards to the Cold War. Yet one area rarely explored by historians is the manner in which the United States and France used art exhibits for cultural diplomatic purposes. This study discusses three exhibits at length-- Advancing American Art, Mona Lisa, and Whistler's Mother. These exhibits illustrate the varied reasons that fine art became symbolic of the two countries' political dealings with one another. Of particular interest are the historic events surrounding these famous art exhibits. During these cultural exchanges, art almost literally took on a diplomatic role in relations between the American and the French governments.
ISBN: 9781303739613Subjects--Topical Terms:
1018076
History, European.
Art of the Cold War: How the United States and France depended on "Whistler's Mother," the "Mona Lisa," and Georgia O'Keeffe to strengthen relations.
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Since the post-modernist turn in academic history, there has been an increasing interest in cultural diplomacy particularly in regards to the Cold War. Yet one area rarely explored by historians is the manner in which the United States and France used art exhibits for cultural diplomatic purposes. This study discusses three exhibits at length-- Advancing American Art, Mona Lisa, and Whistler's Mother. These exhibits illustrate the varied reasons that fine art became symbolic of the two countries' political dealings with one another. Of particular interest are the historic events surrounding these famous art exhibits. During these cultural exchanges, art almost literally took on a diplomatic role in relations between the American and the French governments.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1552811
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