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A sign of the times: Contemporary Am...

Schwartz, Stacy Rebecca.

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A sign of the times: Contemporary American post-Holocaust imagery and post-Jewish identity.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	A sign of the times: Contemporary American post-Holocaust imagery and post-Jewish identity./
作者:	Schwartz, Stacy Rebecca.
面頁冊數:	150 p.
附註:	Source: Masters Abstracts International, Volume: 52-03.
Contained By:	Masters Abstracts International52-03(E).
標題:	Art History. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1547141
ISBN:	9781303480171

A sign of the times: Contemporary American post-Holocaust imagery and post-Jewish identity.
Schwartz, Stacy Rebecca.

A sign of the times: Contemporary American post-Holocaust imagery and post-Jewish identity. - 150 p.

Source: Masters Abstracts International, Volume: 52-03.

Thesis (M.A.)--San Jose State University, 2013.

The construction of American Jewish identity has historically balanced efforts to reconcile acceptance into majority culture with maintaining traditional Jewish heritage. Expression of Jewish identity in a "diasporic community" has often been anchored in communal rituals and sociopolitical events, especially the Holocaust, uniting an increasingly diverse community. Beginning in the late twentieth century, the figure of the "post-Jew" and post-Jewish identity emerged alongside pluralist multiculturalism as an alternate identity framework recognizing the hybrid character of Jewish American identity as a combination of inherited and selected elements.

ISBN: 9781303480171Subjects--Topical Terms:

635474
Art History.

A sign of the times: Contemporary American post-Holocaust imagery and post-Jewish identity.
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520 $a The construction of American Jewish identity has historically balanced efforts to reconcile acceptance into majority culture with maintaining traditional Jewish heritage. Expression of Jewish identity in a "diasporic community" has often been anchored in communal rituals and sociopolitical events, especially the Holocaust, uniting an increasingly diverse community. Beginning in the late twentieth century, the figure of the "post-Jew" and post-Jewish identity emerged alongside pluralist multiculturalism as an alternate identity framework recognizing the hybrid character of Jewish American identity as a combination of inherited and selected elements.
520 $a This thesis examines the manifestation of post-Jewish identity in artistic responses to the Holocaust as reflections of a distinctly American perspective and discusses the iconographic language of the Holocaust as a living identity constantly re-formed and informed by individual experience and cultural surroundings. Third and fourth-generation Jewish American artists engage the visual language of the Holocaust by applying emotionally charged imagery in new ways. In so doing, they contemplate their own connection to the images that ground their understanding of the Holocaust. Stylistic and thematic shifts in post-Jewish works thus constitute efforts to navigate inherent tension between historical and experiential identity as well as the broader cultural transference of collective memory within contemporary society.
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