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Masculinity, desire, and disarmament...

Basye, Jennifer.

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Masculinity, desire, and disarmament in four of Shakespeare's comedies.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Masculinity, desire, and disarmament in four of Shakespeare's comedies./
作者:	Basye, Jennifer.
面頁冊數:	139 p.
附註:	Source: Dissertation Abstracts International, Volume: 74-08(E), Section: A.
Contained By:	Dissertation Abstracts International74-08A(E).
標題:	Literature, English. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3559215
ISBN:	9781303042003

Masculinity, desire, and disarmament in four of Shakespeare's comedies.
Basye, Jennifer.

Masculinity, desire, and disarmament in four of Shakespeare's comedies. - 139 p.

Source: Dissertation Abstracts International, Volume: 74-08(E), Section: A.

Thesis (Ph.D.)--Georgia State University, 2013.

This dissertation sets out to explore Lacan's idea of the paradoxical condition of the masculine gender construction. As privileged, favored, powerful, entitled, and hegemonic as it may seem, masculinity does not come without its awareness of what Lacan has most accurately labeled the "threat or even [...] the guise of deprivation." In fact, this construction not only assumes threat and deprivation to its identity but goes so far as to rely upon these potential attacks as necessities in order to perform itself. In other words, the masculine role can only be identified, recognized and/or mean when presented with a threat. As with any identity, masculinity is not autonomous nor is it essential in signification; it must confront that which is not masculine, that which is always a potential threat to its identity, if it is to appear in any way privileged, favored, powerful, entitled, hegemonic or whatever any culture construes masculinity to be. This argument is applied to four of Shakespeare's comedies in terms of the male characters' ability or reason to speak.

ISBN: 9781303042003Subjects--Topical Terms:

1017709
Literature, English.

Masculinity, desire, and disarmament in four of Shakespeare's comedies.
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520 $a This dissertation sets out to explore Lacan's idea of the paradoxical condition of the masculine gender construction. As privileged, favored, powerful, entitled, and hegemonic as it may seem, masculinity does not come without its awareness of what Lacan has most accurately labeled the "threat or even [...] the guise of deprivation." In fact, this construction not only assumes threat and deprivation to its identity but goes so far as to rely upon these potential attacks as necessities in order to perform itself. In other words, the masculine role can only be identified, recognized and/or mean when presented with a threat. As with any identity, masculinity is not autonomous nor is it essential in signification; it must confront that which is not masculine, that which is always a potential threat to its identity, if it is to appear in any way privileged, favored, powerful, entitled, hegemonic or whatever any culture construes masculinity to be. This argument is applied to four of Shakespeare's comedies in terms of the male characters' ability or reason to speak.
520 $a Index Words: Masculinity, Desire, Anxiety, Freud, Lacan, Shakespeare, Comedy, Language, Performance, Gender.
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