東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

"Drums in the Night": A Collaborativ...

Chen, Melanie.

FindBook

Google Book

Amazon

博客來

"Drums in the Night": A Collaborative Process.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	"Drums in the Night": A Collaborative Process./
作者:	Chen, Melanie.
面頁冊數:	10 p.
附註:	Source: Masters Abstracts International, Volume: 52-06.
Contained By:	Masters Abstracts International52-06(E).
標題:	Design and Decorative Arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1553948
ISBN:	9781303826467

"Drums in the Night": A Collaborative Process.
Chen, Melanie.

"Drums in the Night": A Collaborative Process. - 10 p.

Source: Masters Abstracts International, Volume: 52-06.

Thesis (M.F.A.)--University of California, San Diego, 2014.

The concept for Drums in the Night started with a painting by George Grosz as an inspiration for the last act of the play. It was important to create a soundscape that captured the chaos and brightness that was represented in the painting. Mixing voices that traveled with music that had been heard in previous acts, I experimented bringing the audience into Kragler's mind.

ISBN: 9781303826467Subjects--Topical Terms:

1024640
Design and Decorative Arts.

"Drums in the Night": A Collaborative Process.
LDR:02360nam a2200313 4500 001 1965253
005 20141020104922.5
008 150210s2014 ||||||||||||||||| ||eng d
020 $a 9781303826467
035 $a (MiAaPQ)AAI1553948
035 $a AAI1553948
040 $a MiAaPQ $c MiAaPQ
100 1 $a Chen, Melanie. $3 2101884
245 1 0 $a "Drums in the Night": A Collaborative Process.
300 $a 10 p.
500 $a Source: Masters Abstracts International, Volume: 52-06.
500 $a Includes supplementary digital materials.
500 $a Adviser: Shahrokh Yadegari.
502 $a Thesis (M.F.A.)--University of California, San Diego, 2014.
520 $a The concept for Drums in the Night started with a painting by George Grosz as an inspiration for the last act of the play. It was important to create a soundscape that captured the chaos and brightness that was represented in the painting. Mixing voices that traveled with music that had been heard in previous acts, I experimented bringing the audience into Kragler's mind.
520 $a With this expressionistic final act in mind, we explored other moments of suspended realism. During the engagement celebration in Act 2, Anna screams in disbelief as Kragler stumbles into the bar. In this moment of confusion, the drunk party goers become rowdy. The chaos melts away into the background as the lovers become lost in each other. The bar atmosphere transforms into Charles Gounod's Ave Maria. Anna recounts her nightmares when she believed that Kragler was dead. Kragler asks her to marry him. Before she can make a decision, they are abruptly interrupted. Ave Maria disappears and the noise of the bar returns.
520 $a We added a prologue based on Brecht's Ballad of the Dead Soldier. It tells the story of a soldier who died early in the war. The government decides to dig up the body and re-enlist him to get their full worth of a soldier. I collaborated with the singing actor to create our own version. The soundscape had sounds of destruction layered with deep tones to suggest an ominous environment while the sad melody of the music was sung on top.
590 $a School code: 0033.
650 4 $a Design and Decorative Arts. $3 1024640
650 4 $a Theater. $3 522973
690 $a 0389
690 $a 0465
710 2 $a University of California, San Diego. $b Theatre and Dance. $3 2094293
773 0 $t Masters Abstracts International $g 52-06(E).
790 $a 0033
791 $a M.F.A.
792 $a 2014
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1553948