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"A more natural mother": Concepts of...
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Strohman, Anne-Marie Kathleen.
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"A more natural mother": Concepts of maternity and queenship in early modern England.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
"A more natural mother": Concepts of maternity and queenship in early modern England./
作者:
Strohman, Anne-Marie Kathleen.
面頁冊數:
291 p.
附註:
Source: Dissertation Abstracts International, Volume: 75-07(E), Section: A.
Contained By:
Dissertation Abstracts International75-07A(E).
標題:
Literature, English. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3615453
ISBN:
9781303814532
"A more natural mother": Concepts of maternity and queenship in early modern England.
Strohman, Anne-Marie Kathleen.
"A more natural mother": Concepts of maternity and queenship in early modern England.
- 291 p.
Source: Dissertation Abstracts International, Volume: 75-07(E), Section: A.
Thesis (Ph.D.)--University of Massachusetts Amherst, 2014.
Early in her reign, in response to Parliament's formal requests that she marry and secure the succession, Elizabeth calls herself the "mother of England." Her metaphorical maternity signals a rhetorical transaction between Elizabeth and her people that stretches across time, space, and genre; writers respond to Elizabeth by modifying the metaphor in order to shape her behavior. Conceptual blending theory, developed by cognitive scientists Gilles Fauconnier and Mark Turner, provides language to articulate the complexities of Elizabeth's metaphor---to understand how language, culture, and cognition interact to create and modify meaning.
ISBN: 9781303814532Subjects--Topical Terms:
1017709
Literature, English.
"A more natural mother": Concepts of maternity and queenship in early modern England.
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Early in her reign, in response to Parliament's formal requests that she marry and secure the succession, Elizabeth calls herself the "mother of England." Her metaphorical maternity signals a rhetorical transaction between Elizabeth and her people that stretches across time, space, and genre; writers respond to Elizabeth by modifying the metaphor in order to shape her behavior. Conceptual blending theory, developed by cognitive scientists Gilles Fauconnier and Mark Turner, provides language to articulate the complexities of Elizabeth's metaphor---to understand how language, culture, and cognition interact to create and modify meaning.
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Furthering the work of critics who analyze Elizabeth's self-presentation and in light of Amy Cook's work with conceptual blending theory and theater, this dissertation examines Elizabeth's maternal metaphor in her speeches and considers Sidney's Arcadia (c. 1581-82, 1584; published in 1590), Shakespeare's Titus Andronicus (c. 1588), and Spenser's The Faerie Queene (1590, 1596) as examples of responses to and explorations of Elizabeth's mother--queen blend. By manipulating the mother--queen metaphor in various ways, these writers urge Elizabeth to fulfill her responsibilities as a figurative mother: first, through actual marriage and motherhood, and later, as Elizabeth's age led to infertility, by naming an heir. Elizabeth's attempts to control her image through metaphor were thwarted by the very nature of her method. This examination of her metaphor in the context of imaginative writing reveals the malleability of Elizabeth's carefully crafted image.
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