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Resonant Readings: Musicality in Ear...

Schoenberger, Kevin Conrad, Jr.

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Resonant Readings: Musicality in Early Modern Chinese Adaptations of Traditional Poetic Forms.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Resonant Readings: Musicality in Early Modern Chinese Adaptations of Traditional Poetic Forms./
Author:	Schoenberger, Kevin Conrad, Jr.
Description:	443 p.
Notes:	Source: Dissertation Abstracts International, Volume: 74-12(E), Section: A.
Contained By:	Dissertation Abstracts International74-12A(E).
Subject:	Literature, Asian. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3571848
ISBN:	9781303316661

Resonant Readings: Musicality in Early Modern Chinese Adaptations of Traditional Poetic Forms.
Schoenberger, Kevin Conrad, Jr.

Resonant Readings: Musicality in Early Modern Chinese Adaptations of Traditional Poetic Forms. - 443 p.

Source: Dissertation Abstracts International, Volume: 74-12(E), Section: A.

Thesis (Ph.D.)--Yale University, 2013.

This dissertation aims to address a gap in the critical literature on early modern Chinese drama and poetry for singing, which is an absence of studies treating the contributions of prosody and, especially, music to intended aesthetic effects. I argue that musical concepts like mode-key (gongdiao ) and aria suite arrangement (taoshu) were not simply atavistic relics of music long lost, but real avenues of creativity and evocative potential for late imperial poets. I approach this broad topic through analysis of the concepts of "resonance" and expectation creation within late imperial adaptation of earlier poetic forms. I argue that while the original performance methods for many ancient genres may have been lost, late imperial dramaturges nonetheless found ways to bring them to life on stage, reconstructing or inventing the methods for their singing, and weaving them into the fabric of the "hybridized" form that was late imperial drama. I further argue that this sort of creative borrowing and adaptation was especially well-suited to the late-Ming aesthetic milieu, which found many poets preferring to evoke deep sentiments, and forge social bonds, through a paradoxical dance across the surface qualities of objects or persons evoked.

ISBN: 9781303316661Subjects--Topical Terms:

1017599
Literature, Asian.

Resonant Readings: Musicality in Early Modern Chinese Adaptations of Traditional Poetic Forms.
LDR:02166nam a2200289 4500 001 1958340
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020 $a 9781303316661
035 $a (MiAaPQ)AAI3571848
035 $a AAI3571848
040 $a MiAaPQ $c MiAaPQ
100 1 $a Schoenberger, Kevin Conrad, Jr. $3 2093393
245 1 0 $a Resonant Readings: Musicality in Early Modern Chinese Adaptations of Traditional Poetic Forms.
300 $a 443 p.
500 $a Source: Dissertation Abstracts International, Volume: 74-12(E), Section: A.
500 $a Advisers: Tina Lu; Pieter Keulemans.
502 $a Thesis (Ph.D.)--Yale University, 2013.
520 $a This dissertation aims to address a gap in the critical literature on early modern Chinese drama and poetry for singing, which is an absence of studies treating the contributions of prosody and, especially, music to intended aesthetic effects. I argue that musical concepts like mode-key (gongdiao ) and aria suite arrangement (taoshu) were not simply atavistic relics of music long lost, but real avenues of creativity and evocative potential for late imperial poets. I approach this broad topic through analysis of the concepts of "resonance" and expectation creation within late imperial adaptation of earlier poetic forms. I argue that while the original performance methods for many ancient genres may have been lost, late imperial dramaturges nonetheless found ways to bring them to life on stage, reconstructing or inventing the methods for their singing, and weaving them into the fabric of the "hybridized" form that was late imperial drama. I further argue that this sort of creative borrowing and adaptation was especially well-suited to the late-Ming aesthetic milieu, which found many poets preferring to evoke deep sentiments, and forge social bonds, through a paradoxical dance across the surface qualities of objects or persons evoked.
590 $a School code: 0265.
650 4 $a Literature, Asian. $3 1017599
650 4 $a Theater History. $3 644289
650 4 $a Music. $3 516178
690 $a 0305
690 $a 0644
690 $a 0413
710 2 $a Yale University. $b East Asian Languages and Literatures. $3 2093394
773 0 $t Dissertation Abstracts International $g 74-12A(E).
790 $a 0265
791 $a Ph.D.
792 $a 2013
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3571848