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Mbalax: Cosmopolitanism in Senegales...

Mangin, Timothy Roark.

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Mbalax: Cosmopolitanism in Senegalese Urban Popular Music.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Mbalax: Cosmopolitanism in Senegalese Urban Popular Music./
作者:	Mangin, Timothy Roark.
面頁冊數:	276 p.
附註:	Source: Dissertation Abstracts International, Volume: 74-06(E), Section: A.
Contained By:	Dissertation Abstracts International74-06A(E).
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3554066
ISBN:	9781267939227

Mbalax: Cosmopolitanism in Senegalese Urban Popular Music.
Mangin, Timothy Roark.

Mbalax: Cosmopolitanism in Senegalese Urban Popular Music. - 276 p.

Source: Dissertation Abstracts International, Volume: 74-06(E), Section: A.

Thesis (Ph.D.)--Columbia University, 2013.

This dissertation is an ethnographic and historical examination of Senegalese modern identity and cosmopolitanism through urban dance music. My central argument is that local popular culture thrives not in spite of transnational influences and processes, but as a result of a Senegalese cosmopolitanism that has long valued the borrowing and integration of foreign ideas, cultural practices, and material culture into local lifeways. My research focuses on the articulation of cosmopolitanism through mbalax, an urban dance music distinct to Senegal and valued by musicians and fans for its ability to shape, produce, re-produce, and articulate overlapping ideas of their ethnic, racial, generational, gendered, religious, and national identities. Specifically, I concentrate on the practice of black, Muslim, and Wolof identities that Senegalese urban dance music articulates most consistently.

ISBN: 9781267939227Subjects--Topical Terms:

516178
Music.

Mbalax: Cosmopolitanism in Senegalese Urban Popular Music.
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502 $a Thesis (Ph.D.)--Columbia University, 2013.
520 $a This dissertation is an ethnographic and historical examination of Senegalese modern identity and cosmopolitanism through urban dance music. My central argument is that local popular culture thrives not in spite of transnational influences and processes, but as a result of a Senegalese cosmopolitanism that has long valued the borrowing and integration of foreign ideas, cultural practices, and material culture into local lifeways. My research focuses on the articulation of cosmopolitanism through mbalax, an urban dance music distinct to Senegal and valued by musicians and fans for its ability to shape, produce, re-produce, and articulate overlapping ideas of their ethnic, racial, generational, gendered, religious, and national identities. Specifically, I concentrate on the practice of black, Muslim, and Wolof identities that Senegalese urban dance music articulates most consistently.
520 $a The majority of my fieldwork was carried out in the nightclubs and neighborhoods in Dakar, the capital city. I performed with different mbalax groups and witnessed how the practices of Wolofness, blackness, and Sufism layered and intersected to articulate a modern Senegalese identity, or Senegaleseness. This ethnographic work was complemented by research in recording studios, television studios, radio stations, and research institutions throughout Senegal.
520 $a The dissertation begins with an historical inquiry into the foundations of Senegalese cosmopolitanism from precolonial Senegambia and the spread of Wolof hegemony, to colonial Dakar and the rise of a distinctive urban Senegalese identity that set the proximate conditions for the postcolonial cultural policy of Negritude and mbalax. Subsequent chapters focus on the practices of Wolofness, Sufism, and blackness articulated through mbalax..
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