東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

The haptic perception at contemporar...

Hoyas Frontera, Gema.

Linked to FindBook

Google Book

Amazon

博客來

The haptic perception at contemporary sculpture: Appraisal and scopes of evolution.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The haptic perception at contemporary sculpture: Appraisal and scopes of evolution./
Author:	Hoyas Frontera, Gema.
Description:	372 p.
Notes:	Source: Dissertation Abstracts International, Volume: 65-07, Section: A, page: 2409.
Contained By:	Dissertation Abstracts International65-07A.
Subject:	Fine Arts. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3138675
ISBN:	9780493550374

The haptic perception at contemporary sculpture: Appraisal and scopes of evolution.
Hoyas Frontera, Gema.

The haptic perception at contemporary sculpture: Appraisal and scopes of evolution. - 372 p.

Source: Dissertation Abstracts International, Volume: 65-07, Section: A, page: 2409.

Thesis (Dr.)--Universidad Politecnica de Valencia (Spain), 2004.

The research proposes the analysis of the role of touch at contemporary sculpture. We start from the conviction of touch importance in creation and perception of sculpture and the need to reconsider this sensing scope in critical analysis and artistic pedagogy. In the first part, we analyse the scientific bases which explain how we sense through touch, and the psychological and social factors that determine our appreciation. We make use of the actual concept of haptic perception which permits us to look at sculptural valuation form whether tactile aspects as kinesthetic, overrating the aiming rule of the action and, questioning the spectator's passive attitude. In the second part, we state the circumstances, which have led to touch discredit and invited to useless attempts to emphasize its importance in artistic analysis and museums context; the constant presence of tactile values on sculptural pieces of work, and the most outstanding pedagogical proposals emerged from art which embody the touch perception education inside their educational plans are set out. In the last part, we try to determine different points of view on how touch is present in contemporary sculpture---the haptic stare at, the prosthesis, the relation with the object and the space, touch as therapy, the reconnaissance of the ache limits and the proposals of interaction in virtual reality artistic creations. These scopes of development are shown through the piece of work of artists---who in a continuous way and with different perspective---insist on touch inclusion in their work.

ISBN: 9780493550374Subjects--Topical Terms:

891065
Fine Arts.

The haptic perception at contemporary sculpture: Appraisal and scopes of evolution.
LDR:02506nam a2200289 4500 001 1958311
005 20140412123324.5
008 150210s2004 ||||||||||||||||| ||spa d
020 $a 9780493550374
035 $a (MiAaPQ)AAI3138675
035 $a AAI3138675
040 $a MiAaPQ $c MiAaPQ
100 1 $a Hoyas Frontera, Gema. $3 2093357
245 1 4 $a The haptic perception at contemporary sculpture: Appraisal and scopes of evolution.
300 $a 372 p.
500 $a Source: Dissertation Abstracts International, Volume: 65-07, Section: A, page: 2409.
500 $a Director: Miguel Molina Alarcon.
502 $a Thesis (Dr.)--Universidad Politecnica de Valencia (Spain), 2004.
520 $a The research proposes the analysis of the role of touch at contemporary sculpture. We start from the conviction of touch importance in creation and perception of sculpture and the need to reconsider this sensing scope in critical analysis and artistic pedagogy. In the first part, we analyse the scientific bases which explain how we sense through touch, and the psychological and social factors that determine our appreciation. We make use of the actual concept of haptic perception which permits us to look at sculptural valuation form whether tactile aspects as kinesthetic, overrating the aiming rule of the action and, questioning the spectator's passive attitude. In the second part, we state the circumstances, which have led to touch discredit and invited to useless attempts to emphasize its importance in artistic analysis and museums context; the constant presence of tactile values on sculptural pieces of work, and the most outstanding pedagogical proposals emerged from art which embody the touch perception education inside their educational plans are set out. In the last part, we try to determine different points of view on how touch is present in contemporary sculpture---the haptic stare at, the prosthesis, the relation with the object and the space, touch as therapy, the reconnaissance of the ache limits and the proposals of interaction in virtual reality artistic creations. These scopes of development are shown through the piece of work of artists---who in a continuous way and with different perspective---insist on touch inclusion in their work.
590 $a School code: 1378.
650 4 $a Fine Arts. $3 891065
650 4 $a Education, Art. $3 1018432
650 4 $a Psychology, Cognitive. $3 1017810
690 $a 0357
690 $a 0273
690 $a 0633
710 2 $a Universidad Politecnica de Valencia (Spain). $3 1026748
773 0 $t Dissertation Abstracts International $g 65-07A.
790 $a 1378
791 $a Dr.
792 $a 2004
793 $a Spanish
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3138675