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On Familiarity and Defamiliarization...

Anderson, Maureen Jolie.

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On Familiarity and Defamiliarization in the Use of Appropriated Material in Film, and Its Consequences on Narration: A study of Artavazd Peleshian's Our Century, Johan Grimonprez's dial H-I-S-T-O-R-Y and Adam Curtis' It Felt Like a Kiss.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	On Familiarity and Defamiliarization in the Use of Appropriated Material in Film, and Its Consequences on Narration: A study of Artavazd Peleshian's Our Century, Johan Grimonprez's dial H-I-S-T-O-R-Y and Adam Curtis' It Felt Like a Kiss./
作者:	Anderson, Maureen Jolie.
面頁冊數:	69 p.
附註:	Source: Masters Abstracts International, Volume: 51-06.
Contained By:	Masters Abstracts International51-06(E).
標題:	Cinema. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1538754
ISBN:	9781303126970

On Familiarity and Defamiliarization in the Use of Appropriated Material in Film, and Its Consequences on Narration: A study of Artavazd Peleshian's Our Century, Johan Grimonprez's dial H-I-S-T-O-R-Y and Adam Curtis' It Felt Like a Kiss.
Anderson, Maureen Jolie.

On Familiarity and Defamiliarization in the Use of Appropriated Material in Film, and Its Consequences on Narration: A study of Artavazd Peleshian's Our Century, Johan Grimonprez's dial H-I-S-T-O-R-Y and Adam Curtis' It Felt Like a Kiss. - 69 p.

Source: Masters Abstracts International, Volume: 51-06.

Thesis (M.A.)--State University of New York at Albany, 2013.

The text presented here is a study of the editing and appropriation techniques of three constructivist films and their affect on narrative: Artavazd Peleshian's Our Century, Johan Grimonprez's dial H-I-S-T-O-R-Y and Adam Curtis' It Felt Like a Kiss. An analysis of these techniques is done through the lens of the Russian Formalists, Victor Shklovsky and Mikhail Bakhtin and their respective concepts of defamiliarization and familiarization. Attention is paid to formal analysis in relation to historical context.

ISBN: 9781303126970Subjects--Topical Terms:

854529
Cinema.

On Familiarity and Defamiliarization in the Use of Appropriated Material in Film, and Its Consequences on Narration: A study of Artavazd Peleshian's Our Century, Johan Grimonprez's dial H-I-S-T-O-R-Y and Adam Curtis' It Felt Like a Kiss.
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