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Cultural performances of German nati...

Young, Michael A.

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Cultural performances of German national identity: Popular music, body culture, and the 2006 FIFA World Cup.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Cultural performances of German national identity: Popular music, body culture, and the 2006 FIFA World Cup./
Author:	Young, Michael A.
Description:	138 p.
Notes:	Source: Masters Abstracts International, Volume: 51-05.
Contained By:	Masters Abstracts International51-05(E).
Subject:	Anthropology, Cultural. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1535413
ISBN:	9781303006029

Cultural performances of German national identity: Popular music, body culture, and the 2006 FIFA World Cup.
Young, Michael A.

Cultural performances of German national identity: Popular music, body culture, and the 2006 FIFA World Cup. - 138 p.

Source: Masters Abstracts International, Volume: 51-05.

Thesis (M.A.)--Indiana University, 2013.

This thesis explores the intersection of nationalism, popular music, and sport as they collided with German identity politics and discourses of twentieth-century history. I contextualize public performances of German national identity during the 2006 World Cup within the broader historical context of national identity construction through music and sport in the last two hundred. I contextualize Germans' public performance of national pride and hospitality during the World Cup as the latest in a long line of cultural performances of German identity that have shaped and been shaped by historical circumstances and socially conditioned discourses of national identity. Taking a broad historical and conceptual perspective on cultural performance, I argue that cultural performances of German national identity---communicated in music, sport, and visual symbolism in the public landscape (i.e., through the use of posters, ads, popular press, etc)---have been tailored to and contingent on the social and discursive exigencies of particular historical and political junctures of the past two hundred years. Likewise, cultural performances during the 2006 World Cup must be seen as particular to twenty-first-century German society. Analyzing the Germans' public performance of national identity as well as popular songs and their audio-visual texts (i.e., music videos), I argue that some supposedly nationalist performances of German identity gained traction and popular support during the World Cup because of the strong role played by popular music and sport in framing the terms of their performance and interpretation.

ISBN: 9781303006029Subjects--Topical Terms:

735016
Anthropology, Cultural.

Cultural performances of German national identity: Popular music, body culture, and the 2006 FIFA World Cup.
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020 $a 9781303006029
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100 1 $a Young, Michael A. $3 2093275
245 1 0 $a Cultural performances of German national identity: Popular music, body culture, and the 2006 FIFA World Cup.
300 $a 138 p.
500 $a Source: Masters Abstracts International, Volume: 51-05.
500 $a Adviser: Sue Tuohy.
502 $a Thesis (M.A.)--Indiana University, 2013.
520 $a This thesis explores the intersection of nationalism, popular music, and sport as they collided with German identity politics and discourses of twentieth-century history. I contextualize public performances of German national identity during the 2006 World Cup within the broader historical context of national identity construction through music and sport in the last two hundred. I contextualize Germans' public performance of national pride and hospitality during the World Cup as the latest in a long line of cultural performances of German identity that have shaped and been shaped by historical circumstances and socially conditioned discourses of national identity. Taking a broad historical and conceptual perspective on cultural performance, I argue that cultural performances of German national identity---communicated in music, sport, and visual symbolism in the public landscape (i.e., through the use of posters, ads, popular press, etc)---have been tailored to and contingent on the social and discursive exigencies of particular historical and political junctures of the past two hundred years. Likewise, cultural performances during the 2006 World Cup must be seen as particular to twenty-first-century German society. Analyzing the Germans' public performance of national identity as well as popular songs and their audio-visual texts (i.e., music videos), I argue that some supposedly nationalist performances of German identity gained traction and popular support during the World Cup because of the strong role played by popular music and sport in framing the terms of their performance and interpretation.
590 $a School code: 0093.
650 4 $a Anthropology, Cultural. $3 735016
650 4 $a Music. $3 516178
650 4 $a European Studies. $3 1673271
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710 2 $a Indiana University. $b Folklore and Ethnomusicology. $3 1028123
773 0 $t Masters Abstracts International $g 51-05(E).
790 $a 0093
791 $a M.A.
792 $a 2013
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1535413