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Game Design by Numbers: Instrumental...

Whitson, Jennifer R.

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Game Design by Numbers: Instrumental Play and the Quantitative Shift in the Digital Game Industry.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Game Design by Numbers: Instrumental Play and the Quantitative Shift in the Digital Game Industry./
作者:	Whitson, Jennifer R.
面頁冊數:	390 p.
附註:	Source: Dissertation Abstracts International, Volume: 74-10(E), Section: A.
Contained By:	Dissertation Abstracts International74-10A(E).
標題:	Sociology, Theory and Methods. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=NR94236
ISBN:	9780494942369

Game Design by Numbers: Instrumental Play and the Quantitative Shift in the Digital Game Industry.
Whitson, Jennifer R.

Game Design by Numbers: Instrumental Play and the Quantitative Shift in the Digital Game Industry. - 390 p.

Source: Dissertation Abstracts International, Volume: 74-10(E), Section: A.

Thesis (Ph.D.)--Carleton University (Canada), 2013.

This dissertation chronicles ideological, technological and economic changes in the digital game industry, focusing on how games are transforming as play becomes instrumentalized. It pays particular attention to the struggles of developers as they search for creative freedom and autonomy in a risk-averse industry. It makes original contributions to the literature on games by situating and explaining industry-wide shifts in terms of the socio-economics of game development and the rationalities that drive individual developers. It contributes to social theory more generally by explaining how transformations in play, games, and creativity are linked to much wider adaptations in the operation of capitalism and how it is justified to both workers and consumers.

ISBN: 9780494942369Subjects--Topical Terms:

626625
Sociology, Theory and Methods.

Game Design by Numbers: Instrumental Play and the Quantitative Shift in the Digital Game Industry.
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502 $a Thesis (Ph.D.)--Carleton University (Canada), 2013.
520 $a This dissertation chronicles ideological, technological and economic changes in the digital game industry, focusing on how games are transforming as play becomes instrumentalized. It pays particular attention to the struggles of developers as they search for creative freedom and autonomy in a risk-averse industry. It makes original contributions to the literature on games by situating and explaining industry-wide shifts in terms of the socio-economics of game development and the rationalities that drive individual developers. It contributes to social theory more generally by explaining how transformations in play, games, and creativity are linked to much wider adaptations in the operation of capitalism and how it is justified to both workers and consumers.
520 $a I use ground-level accounts from those within the game industry to describe how new media technologies interact with socio-economic forces, detailing the adaptability of capitalist modes of production in the face of critique. I show how definitions of 'games' and 'play' are changing as they come into contact with technology, allowing games to be reformulated in powerful new ways, so games are not only tools of entertainment but also tools of governance. I argue that the collective valuation of objective quantitative data and the belief in the fallibility of individual creative autonomy has turned game design into "design by numbers".
520 $a The complementary themes of this thesis are bound together by references to the "New Spirit of Capitalism" (Boltanski and Chiapello 2007, 2005), which explains how capitalism is continually reorganizing itself, adapting the language and spirit of 1960s counterculture and emphasizing freedom in order to drive though new, more efficient, work practices and more subtle forms of exploitation. This "New Spirit" accounts for the current upheavals in the game industry. Changes to the Spirit of Capitalism have initiated tectonic shifts, reforming the geography of the game industry and creating fissures in the landscape that allow new game sectors to emerge, while others struggle to avoid being buried. In turn, innovations from the game industry, particularly the emphasis on data-driven design, shore up the weaknesses in the New Spirit of Capitalism, allowing it to operate more successfully.
520 $a keywords: digital games; game development; game industry; Instrumentalization of Play; New Spirit of Capitalism; governance; surveillance.
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