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Creating offline space for online br...
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Grasso, Natalie.
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Creating offline space for online brands: A Warby Parker retail store in Washington, DC.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Creating offline space for online brands: A Warby Parker retail store in Washington, DC./
作者:
Grasso, Natalie.
面頁冊數:
81 p.
附註:
Source: Masters Abstracts International, Volume: 51-06.
Contained By:
Masters Abstracts International51-06(E).
標題:
Design and Decorative Arts. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1537572
ISBN:
9781303088858
Creating offline space for online brands: A Warby Parker retail store in Washington, DC.
Grasso, Natalie.
Creating offline space for online brands: A Warby Parker retail store in Washington, DC.
- 81 p.
Source: Masters Abstracts International, Volume: 51-06.
Thesis (M.A.)--Corcoran College of Art + Design, 2013.
Online-only retailers have begun to experiment with physical locations, due to the fact that there are certain items that customers will always want to touch, feel, and try-on. This cannot be replicated online. This creates new obligations of space for the brands that were initially conceived to occupy virtual space only. These companies have discovered that physical retail stores, showrooms, and pop-ups are where every dimension of their brand comes alive.
ISBN: 9781303088858Subjects--Topical Terms:
1024640
Design and Decorative Arts.
Creating offline space for online brands: A Warby Parker retail store in Washington, DC.
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Creating offline space for online brands: A Warby Parker retail store in Washington, DC.
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81 p.
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Online-only retailers have begun to experiment with physical locations, due to the fact that there are certain items that customers will always want to touch, feel, and try-on. This cannot be replicated online. This creates new obligations of space for the brands that were initially conceived to occupy virtual space only. These companies have discovered that physical retail stores, showrooms, and pop-ups are where every dimension of their brand comes alive.
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Such is the case for Warby Parker, an eyewear company that was launched online in 2010. By subverting traditional channels, Warby Parker sells their vintage-inspired frames for a fraction of typical designer costs, prescription lenses included. They've seen tremendous success in their two years of existence and have become a highly disruptive brand.
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This thesis will explore the ways in which brands like Warby Parker can and do manifest physically. It draws connections between the act of wearing a pair of Warby Parker's vintage-inspired frames and theatrical performance, and exploits and distorts the traditional program of a theater space to create a totally new kind of retail experience for Warby Parker customers.
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