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Cultural Renewal in Aboriginal Theat...

Lachance, Lindsay.

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Cultural Renewal in Aboriginal Theatre Aesthetics.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Cultural Renewal in Aboriginal Theatre Aesthetics./
Author:	Lachance, Lindsay.
Description:	114 p.
Notes:	Source: Masters Abstracts International, Volume: 51-06.
Contained By:	Masters Abstracts International51-06(E).
Subject:	Theater. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR86534
ISBN:	9780494865347

Cultural Renewal in Aboriginal Theatre Aesthetics.
Lachance, Lindsay.

Cultural Renewal in Aboriginal Theatre Aesthetics. - 114 p.

Source: Masters Abstracts International, Volume: 51-06.

Thesis (M.A.)--University of Ottawa (Canada), 2012.

The goal of this research is to shed light on current developments in the field of Aboriginal Theatre Studies. This investigation encourages the reader to look again at the ways in which elements of Aboriginal culture are manifesting in contemporary theatre. Aboriginal theatre is increasingly visible in Canada and its cachet is growing with both artists and audiences. As a result, culturally specific worldviews and traditional practices are being introduced to mainstream Canadian theatre audiences. Through interviews with practicing Aboriginal artists like Floyd Favel, Yvette Nolan and Marie Clements and through an exploration of their individual theatrical processes, this research has attempted to identify how practicing Aboriginal artists consciously privilege Indigenous ways of knowing in their approaches to creating theatre for the contemporary stage.

ISBN: 9780494865347Subjects--Topical Terms:

522973
Theater.

Cultural Renewal in Aboriginal Theatre Aesthetics.
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245 1 0 $a Cultural Renewal in Aboriginal Theatre Aesthetics.
300 $a 114 p.
500 $a Source: Masters Abstracts International, Volume: 51-06.
500 $a Advisers: Daniel Mroz; Georges Sioui.
502 $a Thesis (M.A.)--University of Ottawa (Canada), 2012.
520 $a The goal of this research is to shed light on current developments in the field of Aboriginal Theatre Studies. This investigation encourages the reader to look again at the ways in which elements of Aboriginal culture are manifesting in contemporary theatre. Aboriginal theatre is increasingly visible in Canada and its cachet is growing with both artists and audiences. As a result, culturally specific worldviews and traditional practices are being introduced to mainstream Canadian theatre audiences. Through interviews with practicing Aboriginal artists like Floyd Favel, Yvette Nolan and Marie Clements and through an exploration of their individual theatrical processes, this research has attempted to identify how practicing Aboriginal artists consciously privilege Indigenous ways of knowing in their approaches to creating theatre for the contemporary stage.
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773 0 $t Masters Abstracts International $g 51-06(E).
790 1 0 $a Mroz, Daniel, $e advisor
790 1 0 $a Sioui, Georges, $e advisor
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR86534