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Michelangelo Red Antonioni Blue = Eight Reflections on Cinema.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Michelangelo Red Antonioni Blue/
其他題名:	Eight Reflections on Cinema.
作者:	Pomerance, Murray.
出版者:	Berkeley :University of California Press, : 2011.,
面頁冊數:	1 online resource (321 p.)
內容註:	Cover; Michelangelo Red Antonioni Blue; Title; Copyright; To Bill Rothman, true line of sight; Contents; Plates; Acknowledgments; On the Images in This Book; Introduction; Beyond the Clouds; CARMEN AND SILVANO; A DIRECTOR IN PORTOFINO; CARLO, PATRIZIA, HER HUSBAND, AND HIS LOVER; NICCOLO IN AIX; BEYOND THE CLOUDS; Identification of a Woman; LOVE STORY; A CHANGE OF LIGHT; BLIND KNOWLEDGE; SCIENCE; ATTENTION; NEITHER NIGHT NOR DAY; THE MODERN SELF; BORED; IMPOSSIBLE EXPERIENCE; The Red Desert; RENT; MONSTROUS SCENERY; RED; GUILT; ABSTRACT; DOWN; ONE; TUTTI; PROGRESS.
內容註:	The Dangerous Thread of ThingsI; II; III; The Mystery of Oberwald; PROLOGUE; WITH THUNDER; IN SPRINGTIME; MONTAGNARDS; MYSTERY OF OBERWALD; TRACES; PERSUASION; Zabriskie Point; TOPOS; ENCOUNTER; IN MY END IS MY BEGINNING; NO WORDS; "FAILURES"; A CONDITION OF COMPLETE SIMPLICITY; POEM OF THE END OF THE WORLD; The Passenger; ANOTHER LIFE; OFF THE BEATEN PATH; GHOST; DATES; CIRCULARITY; THE PASSENGER; EVERYTHING YOU ALWAYS WANTED TO KNOW BUT WERE AFRAID TO ASK; Blow-Up; CULMINATION; OMNI ANIMAL POST COITUM TRISTE EST; ARCADY; THE ACT OF SIGHT; INNOCENTS; LONDON FALLING DOWN.
內容註:	"A SADLY UNFORTUNATE PERSON"UNNECESSARY CLOTHING; Works Cited and Consulted; Index.
電子資源:	http://www.jstor.org/stable/10.1525/j.ctt1pnpgf
ISBN:	9780520948303 (electronic bk.)

Michelangelo Red Antonioni Blue = Eight Reflections on Cinema.
Pomerance, Murray.

Michelangelo Red Antonioni BlueEight Reflections on Cinema.[electronic resource] : - Berkeley :University of California Press,2011. - 1 online resource (321 p.)

Cover; Michelangelo Red Antonioni Blue; Title; Copyright; To Bill Rothman, true line of sight; Contents; Plates; Acknowledgments; On the Images in This Book; Introduction; Beyond the Clouds; CARMEN AND SILVANO; A DIRECTOR IN PORTOFINO; CARLO, PATRIZIA, HER HUSBAND, AND HIS LOVER; NICCOLO IN AIX; BEYOND THE CLOUDS; Identification of a Woman; LOVE STORY; A CHANGE OF LIGHT; BLIND KNOWLEDGE; SCIENCE; ATTENTION; NEITHER NIGHT NOR DAY; THE MODERN SELF; BORED; IMPOSSIBLE EXPERIENCE; The Red Desert; RENT; MONSTROUS SCENERY; RED; GUILT; ABSTRACT; DOWN; ONE; TUTTI; PROGRESS.

Access available to onsite users at SLQ, e-services members and Queensland public library (QPL) account holders.

Michelangelo Antonioni, who died in 2007, was one of cinema's greatest modernist filmmakers. The films in his black and white trilogy of the early 1960s--L'avventura, La Notte, L'eclisse--are justly celebrated for their influential, gorgeously austere style. But in this book, Murray Pomerance demonstrates why the color films that followed are, in fact, Antonioni's greatest works. Writing in an accessible style that evokes Antonioni's expansive use of space, Pomerance discusses The Red Desert, Blow-Up, Professione: Reporter (The Passenger), Zabriskie Point, Identification of a Woman, The Mystery.

ISBN: 9780520948303 (electronic bk.)Subjects--Personal Names:

2089850
Antonioni, Michelangelo
--Criticism and interpretation.

LC Class. No.: PN1998.3.A58 / P66 2011

Dewey Class. No.: 791.4302

Michelangelo Red Antonioni Blue = Eight Reflections on Cinema.
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505 0 $a Cover; Michelangelo Red Antonioni Blue; Title; Copyright; To Bill Rothman, true line of sight; Contents; Plates; Acknowledgments; On the Images in This Book; Introduction; Beyond the Clouds; CARMEN AND SILVANO; A DIRECTOR IN PORTOFINO; CARLO, PATRIZIA, HER HUSBAND, AND HIS LOVER; NICCOLO IN AIX; BEYOND THE CLOUDS; Identification of a Woman; LOVE STORY; A CHANGE OF LIGHT; BLIND KNOWLEDGE; SCIENCE; ATTENTION; NEITHER NIGHT NOR DAY; THE MODERN SELF; BORED; IMPOSSIBLE EXPERIENCE; The Red Desert; RENT; MONSTROUS SCENERY; RED; GUILT; ABSTRACT; DOWN; ONE; TUTTI; PROGRESS.
505 8 $a The Dangerous Thread of ThingsI; II; III; The Mystery of Oberwald; PROLOGUE; WITH THUNDER; IN SPRINGTIME; MONTAGNARDS; MYSTERY OF OBERWALD; TRACES; PERSUASION; Zabriskie Point; TOPOS; ENCOUNTER; IN MY END IS MY BEGINNING; NO WORDS; "FAILURES"; A CONDITION OF COMPLETE SIMPLICITY; POEM OF THE END OF THE WORLD; The Passenger; ANOTHER LIFE; OFF THE BEATEN PATH; GHOST; DATES; CIRCULARITY; THE PASSENGER; EVERYTHING YOU ALWAYS WANTED TO KNOW BUT WERE AFRAID TO ASK; Blow-Up; CULMINATION; OMNI ANIMAL POST COITUM TRISTE EST; ARCADY; THE ACT OF SIGHT; INNOCENTS; LONDON FALLING DOWN.
505 8 $a "A SADLY UNFORTUNATE PERSON"UNNECESSARY CLOTHING; Works Cited and Consulted; Index.
506 $a Access available to onsite users at SLQ, e-services members and Queensland public library (QPL) account holders.
520 $a Michelangelo Antonioni, who died in 2007, was one of cinema's greatest modernist filmmakers. The films in his black and white trilogy of the early 1960s--L'avventura, La Notte, L'eclisse--are justly celebrated for their influential, gorgeously austere style. But in this book, Murray Pomerance demonstrates why the color films that followed are, in fact, Antonioni's greatest works. Writing in an accessible style that evokes Antonioni's expansive use of space, Pomerance discusses The Red Desert, Blow-Up, Professione: Reporter (The Passenger), Zabriskie Point, Identification of a Woman, The Mystery.
588 0 $a Print version record.
600 1 0 $a Antonioni, Michelangelo $x Criticism and interpretation. $3 2089850
856 4 0 $u http://www.jstor.org/stable/10.1525/j.ctt1pnpgf