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Memory matters in transitional Peru
~
Saona, Margarita.
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Memory matters in transitional Peru
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Memory matters in transitional Peru/ Margarita Saona.
作者:
Saona, Margarita.
出版者:
Basingstoke :Palgrave Macmillan, : 2014.,
面頁冊數:
176 p. :19 ill.
附註:
Electronic book text.
內容註:
List of Illustrations Preface Acknowledgements List of Acronyms PART I: INTRODUCTION: PERUVIAN MEMORY MATTERS 1. The Mandate to Remember 2. Remembering the Pain of Others PART II: SEEING, KNOWING, FEELING: CONVEYING TRUTH AND EMOTION THROUGH IMAGES 1. Yuyanapaq: Using Images in Order to Remember 2. Images, Photography, and Truth 3. Photography, Memory, and the Ethics and Aesthetics of Witnessing 4. Imagining the Memories of Others PART III: PLAIN THINGS AND NAMES 1. Naming the Victims: The Controversies Surrounding El ojo que llora 2. The Things they Carried: Embodied Evocation in 'Si no vuelvo, busquenme en Putis.' PART IV: PLACES TO REMEMBER 1. Creating Sites of Memory 2. Here 3. Dislocating Memory Afterword Notes References Index.
標題:
Collective memory - Political aspects - Peru. -
標題:
Peru - Politics and government - 1980. -
電子資源:
http://link.springer.com/10.1057/9781137290175Online journal 'available contents' page
ISBN:
113729017X (electronic bk.) :
Memory matters in transitional Peru
Saona, Margarita.
Memory matters in transitional Peru
[electronic resource] /Margarita Saona. - 1st ed. - Basingstoke :Palgrave Macmillan,2014. - 176 p. :19 ill. - Palgrave Macmillan memory studies.
Electronic book text.
List of Illustrations Preface Acknowledgements List of Acronyms PART I: INTRODUCTION: PERUVIAN MEMORY MATTERS 1. The Mandate to Remember 2. Remembering the Pain of Others PART II: SEEING, KNOWING, FEELING: CONVEYING TRUTH AND EMOTION THROUGH IMAGES 1. Yuyanapaq: Using Images in Order to Remember 2. Images, Photography, and Truth 3. Photography, Memory, and the Ethics and Aesthetics of Witnessing 4. Imagining the Memories of Others PART III: PLAIN THINGS AND NAMES 1. Naming the Victims: The Controversies Surrounding El ojo que llora 2. The Things they Carried: Embodied Evocation in 'Si no vuelvo, busquenme en Putis.' PART IV: PLACES TO REMEMBER 1. Creating Sites of Memory 2. Here 3. Dislocating Memory Afterword Notes References Index.
Document
Commemorating traumatic events means attempting to activate collective memory. By examining images, metonymic invocations, built environments and digital outreach interventions, this book establishes some of the cognitive and emotional responses that make us incorporate the past suffering of others as a painful legacy of our own.In 2003, the Peruvian Truth and Reconciliation Commission reported that 70,000 people had been killed in the country during the conflict between the Peruvian Armed Forces, the Shining Path, and other terrorist organizations. The precept of the Commission became: 'A country that forgets its history is condemned to repeat it.' The idea of making the country 'remember' guided many of the Commission's initiatives, including a ground-breaking photo exhibit entitled 'Yuyanapaq,' a Quechua word translated as 'in order to remember.' But what does it mean for a country to remember? How do we remember (collectively)? Margarita Saona examines the mechanisms activated by art and memorials built to commemorate traumatic events at the social level. By examining images, metonymic invocations, the use of proper names, auratic crime scenes, built environments, and digital outreach interventions, Memory Matters in Transitional Peru seeks to establish some of the cognitive and emotional responses that make us incorporate the past suffering of others as a painful legacy of our own.
PDF.
Margarita Saona is Associate Professor of Latin American Literature and Culture at the University of Illinois at Chicago, USA. She is the author of Novelas Familiares: Figuraciones de la nacion en la novela latinoamericana contemporanea and numerous articles on gender, memory, and national identity.
ISBN: 113729017X (electronic bk.) :£55.00Subjects--Topical Terms:
2080491
Collective memory
--Political aspects--Peru.Subjects--Geographical Terms:
3649632
Peru
--Politics and government--1980.
LC Class. No.: F3448.5 / .S26 2014
Dewey Class. No.: 985.0019
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List of Illustrations Preface Acknowledgements List of Acronyms PART I: INTRODUCTION: PERUVIAN MEMORY MATTERS 1. The Mandate to Remember 2. Remembering the Pain of Others PART II: SEEING, KNOWING, FEELING: CONVEYING TRUTH AND EMOTION THROUGH IMAGES 1. Yuyanapaq: Using Images in Order to Remember 2. Images, Photography, and Truth 3. Photography, Memory, and the Ethics and Aesthetics of Witnessing 4. Imagining the Memories of Others PART III: PLAIN THINGS AND NAMES 1. Naming the Victims: The Controversies Surrounding El ojo que llora 2. The Things they Carried: Embodied Evocation in 'Si no vuelvo, busquenme en Putis.' PART IV: PLACES TO REMEMBER 1. Creating Sites of Memory 2. Here 3. Dislocating Memory Afterword Notes References Index.
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Commemorating traumatic events means attempting to activate collective memory. By examining images, metonymic invocations, built environments and digital outreach interventions, this book establishes some of the cognitive and emotional responses that make us incorporate the past suffering of others as a painful legacy of our own.
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In 2003, the Peruvian Truth and Reconciliation Commission reported that 70,000 people had been killed in the country during the conflict between the Peruvian Armed Forces, the Shining Path, and other terrorist organizations. The precept of the Commission became: 'A country that forgets its history is condemned to repeat it.' The idea of making the country 'remember' guided many of the Commission's initiatives, including a ground-breaking photo exhibit entitled 'Yuyanapaq,' a Quechua word translated as 'in order to remember.' But what does it mean for a country to remember? How do we remember (collectively)? Margarita Saona examines the mechanisms activated by art and memorials built to commemorate traumatic events at the social level. By examining images, metonymic invocations, the use of proper names, auratic crime scenes, built environments, and digital outreach interventions, Memory Matters in Transitional Peru seeks to establish some of the cognitive and emotional responses that make us incorporate the past suffering of others as a painful legacy of our own.
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