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Performing feeling in cultures of me...
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Trezise, Bryoni,
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Performing feeling in cultures of memory /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Performing feeling in cultures of memory // Bryoni Trezise.
作者:
Trezise, Bryoni,
面頁冊數:
1 online resource (204 pages).
內容註:
Introduction. Feeling the Return of Memory -- 1. Sensing the Holocaust Affect: Memorials in Repeat, Revision and Return -- 2. Becoming Other-wise: Remembering Intercorporeal Indigeneity "Down Under" -- 3. Feeling Remediated: The Emotional Afterlife of Psychic Trauma TV -- 4. Affecting Indifference: Traumatic a-materiality in Second Life -- 5. Affect's Spill: Theatrical 'Sensationship' in Cultures of Memory.
標題:
Emotions - Social aspects. -
電子資源:
http://link.springer.com/10.1057/9781137336224
ISBN:
1137336226 (electronic bk.)
Performing feeling in cultures of memory /
Trezise, Bryoni,
Performing feeling in cultures of memory /
Bryoni Trezise. - 1 online resource (204 pages). - Palgrave Macmillan Memory Studies. - Palgrave Macmillan memory studies..
Includes bibliographical references.
Introduction. Feeling the Return of Memory -- 1. Sensing the Holocaust Affect: Memorials in Repeat, Revision and Return -- 2. Becoming Other-wise: Remembering Intercorporeal Indigeneity "Down Under" -- 3. Feeling Remediated: The Emotional Afterlife of Psychic Trauma TV -- 4. Affecting Indifference: Traumatic a-materiality in Second Life -- 5. Affect's Spill: Theatrical 'Sensationship' in Cultures of Memory.
This is one of the first studies to map conjunctions between memory culture, feeling and the performed nature of emotions. In using performance theory as the investigative framework for these interests, Bryoni Trezise argues that feelings occur as performed cultural effects. The study makes clear the often invisible cultural practices that link how we experience reconstructions of the past to how we produce emotional responses out of them. The book traverses site-specific, virtual, televisual and theatrical memory practices, which reach from Holocaust memorials, to the digital aesthetics of Second Life and the trauma spectacles exposed by reality TV or challenged by radical theatre. Drawing together recent discussions on emotion and the senses, she argues that memory in the new millennium is characterised by an 'experiential turn' that underscores relations between bodily behaviours and sentimental responses. Through these, Trezise rethinks the dominant models that shape and frame arguments for how and why we remember the pasts of others.
ISBN: 1137336226 (electronic bk.)
Source: 673829Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
560869
Emotions
--Social aspects.Index Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PN1590.P76
Dewey Class. No.: 790.2
Performing feeling in cultures of memory /
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Introduction. Feeling the Return of Memory -- 1. Sensing the Holocaust Affect: Memorials in Repeat, Revision and Return -- 2. Becoming Other-wise: Remembering Intercorporeal Indigeneity "Down Under" -- 3. Feeling Remediated: The Emotional Afterlife of Psychic Trauma TV -- 4. Affecting Indifference: Traumatic a-materiality in Second Life -- 5. Affect's Spill: Theatrical 'Sensationship' in Cultures of Memory.
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This is one of the first studies to map conjunctions between memory culture, feeling and the performed nature of emotions. In using performance theory as the investigative framework for these interests, Bryoni Trezise argues that feelings occur as performed cultural effects. The study makes clear the often invisible cultural practices that link how we experience reconstructions of the past to how we produce emotional responses out of them. The book traverses site-specific, virtual, televisual and theatrical memory practices, which reach from Holocaust memorials, to the digital aesthetics of Second Life and the trauma spectacles exposed by reality TV or challenged by radical theatre. Drawing together recent discussions on emotion and the senses, she argues that memory in the new millennium is characterised by an 'experiential turn' that underscores relations between bodily behaviours and sentimental responses. Through these, Trezise rethinks the dominant models that shape and frame arguments for how and why we remember the pasts of others.
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