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Television and British cinema : = co...

Andrews, Hannah,

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Television and British cinema : = convergence and divergence since 1990 /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Television and British cinema :/ Hannah Andrews.
其他題名:	convergence and divergence since 1990 /
作者:	Andrews, Hannah,
面頁冊數:	1 online resource.
內容註:	Introduction: The Contexts of Convergence -- 1.Film and Television Drama: The Making of a Relationship -- 2.Television as Film, Film as Television: Broadcasting cinema in the 1990s -- 3.Commercialism and Quality: Television Institutions and the British Film Industry, 1998 - 2002 -- 4.Digital Departures: Television Institutions and Low-budget Production -- 5.'Great Films You Know, Great Films You Don't': The Birth and Life of the FilmFour Digital Channel -- 6.New Logics of Convergence: Film Through Online Television -- 7.Conclusion: Convergence and Divergence Now.
標題:	1900 - 2099 -
標題:	Motion pictures - History - 20th century. - Great Britain -
標題:	Great Britain. -
電子資源:	http://link.springer.com/10.1057/9781137311177
ISBN:	1137311177 (electronic bk.)

Television and British cinema : = convergence and divergence since 1990 /
Andrews, Hannah,

Television and British cinema :convergence and divergence since 1990 /Hannah Andrews. - 1 online resource.

Includes bibliographical references.

Introduction: The Contexts of Convergence -- 1.Film and Television Drama: The Making of a Relationship -- 2.Television as Film, Film as Television: Broadcasting cinema in the 1990s -- 3.Commercialism and Quality: Television Institutions and the British Film Industry, 1998 - 2002 -- 4.Digital Departures: Television Institutions and Low-budget Production -- 5.'Great Films You Know, Great Films You Don't': The Birth and Life of the FilmFour Digital Channel -- 6.New Logics of Convergence: Film Through Online Television -- 7.Conclusion: Convergence and Divergence Now.

Hannah Andrews provides a timely and thorough investigation of the changing relationship between television and cinema in Britain since 1990. She explores the process of convergence, in terms of both the intermedial relationship between closely related cultural forms, and the involvement of institutions of television in the British film industry. Rather than view convergence as a byproduct of digitalization, Andrews argues for a longer history of analogue convergence, manifested in, for example, the use of television as an alternative exhibition platform for British cinema, or the broadcast of feature-length filmed television dramas traditionally conceptualized as 'plays' rather than films. "Television and British Cinema" demonstrates how these processes of convergence have been met with equally strong rhetorical 'divergence', the use of presentational devices or discursive framing to distinguish film from television. The book discusses the role of television institutions in these processes, focusing on a period in which the relationship between film and television in the UK developed into a symbiosis.

ISBN: 1137311177 (electronic bk.)

Source: 660611Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Chronological Terms:

1900 - 2099
Subjects--Topical Terms:

715443
Motion pictures
--History--Great Britain--20th century.Subjects--Geographical Terms:

700567
Great Britain.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1992.3.G7

Dewey Class. No.: 791.450941

Television and British cinema : = convergence and divergence since 1990 /
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520 $a Hannah Andrews provides a timely and thorough investigation of the changing relationship between television and cinema in Britain since 1990. She explores the process of convergence, in terms of both the intermedial relationship between closely related cultural forms, and the involvement of institutions of television in the British film industry. Rather than view convergence as a byproduct of digitalization, Andrews argues for a longer history of analogue convergence, manifested in, for example, the use of television as an alternative exhibition platform for British cinema, or the broadcast of feature-length filmed television dramas traditionally conceptualized as 'plays' rather than films. "Television and British Cinema" demonstrates how these processes of convergence have been met with equally strong rhetorical 'divergence', the use of presentational devices or discursive framing to distinguish film from television. The book discusses the role of television institutions in these processes, focusing on a period in which the relationship between film and television in the UK developed into a symbiosis.
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