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Film sound in Italy : = listening to...

Sisto, Antonella C., (1975-)

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Film sound in Italy : = listening to the screen /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Film sound in Italy :/ by Antonella C. Sisto.
其他題名:	listening to the screen /
作者:	Sisto, Antonella C.,
面頁冊數:	1 online resource.
內容註:	Introduction -- Sounding fascism in cinema -- Dubbing in deed, and listening to dubbing -- Cinema talks: between "make believe" and schizophonia -- The soundtrack after fascism: the neorealist play without sound -- Michelangelo Antonioni, the wind is photogenic -- Pier Paolo Pasolini's thousand notes of contestation.
標題:	1900 - 1999 -
標題:	Dubbing of motion pictures - Italy. -
標題:	Italy. -
電子資源:	http://link.springer.com/10.1057/9781137387714
ISBN:	1137387718 (electronic bk.)

Film sound in Italy : = listening to the screen /
Sisto, Antonella C.,1975-

Film sound in Italy :listening to the screen /by Antonella C. Sisto. - 1 online resource.

Includes bibliographical references and index.

Introduction -- Sounding fascism in cinema -- Dubbing in deed, and listening to dubbing -- Cinema talks: between "make believe" and schizophonia -- The soundtrack after fascism: the neorealist play without sound -- Michelangelo Antonioni, the wind is photogenic -- Pier Paolo Pasolini's thousand notes of contestation.

Considering films as audio-visual creations opens new inroads into the cultural practice, politics, and aesthetics of the soundtrack. This book is critical and trans-disciplinary engagement with cinema in Italy that examines the national archive of film based on sound and listening using a holistic audio-visual approach to film politics and practices from the coming of sound to the screen in the Fascist era, through the work of post WWII neorealist directors, to art cinema directors such as Michelangelo Antonioni and Pier Paolo Pasolini. Sisto shifts the sensory paradigm of film history and analysis from the optical to the sonic, demonstrating how this translates into a shift of canonical narratives and interpretations. Listening functions as a fundamental critical tool that permits viewers to detect the interplay of technological productions, historical contingencies, and mediations which coalesce within the political and aesthetical track of sound at the movies.

ISBN: 1137387718 (electronic bk.)

Source: 714692Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Chronological Terms:

1900 - 1999
Subjects--Topical Terms:

2078302
Dubbing of motion pictures
--Italy.Subjects--Geographical Terms:

571066
Italy.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.7 / .S48 2014

Dewey Class. No.: 791.4302/4

Film sound in Italy : = listening to the screen /
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245 1 0 $a Film sound in Italy : $b listening to the screen / $c by Antonella C. Sisto.
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300 $a 1 online resource.
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504 $a Includes bibliographical references and index.
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505 0 $a Introduction -- Sounding fascism in cinema -- Dubbing in deed, and listening to dubbing -- Cinema talks: between "make believe" and schizophonia -- The soundtrack after fascism: the neorealist play without sound -- Michelangelo Antonioni, the wind is photogenic -- Pier Paolo Pasolini's thousand notes of contestation.
520 $a Considering films as audio-visual creations opens new inroads into the cultural practice, politics, and aesthetics of the soundtrack. This book is critical and trans-disciplinary engagement with cinema in Italy that examines the national archive of film based on sound and listening using a holistic audio-visual approach to film politics and practices from the coming of sound to the screen in the Fascist era, through the work of post WWII neorealist directors, to art cinema directors such as Michelangelo Antonioni and Pier Paolo Pasolini. Sisto shifts the sensory paradigm of film history and analysis from the optical to the sonic, demonstrating how this translates into a shift of canonical narratives and interpretations. Listening functions as a fundamental critical tool that permits viewers to detect the interplay of technological productions, historical contingencies, and mediations which coalesce within the political and aesthetical track of sound at the movies.
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650 0 $a Dubbing of motion pictures $z Italy. $3 2078302
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650 0 $a Sound motion pictures $z Italy $x History $y 20th century. $3 2078303
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650 7 $a Motion pictures $x Political aspects. $3 552314
650 7 $a Sound motion pictures. $3 588317
651 7 $a Italy. $3 571066
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710 2 $a Palgrave Connect (Online service) $3 1081578
776 0 8 $i Print version: $a Sisto, Antonella C., 1975- $t Film sound in Italy $z 9781137387707 $w (DLC) 2013036908 $w (OCoLC)862148884
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9781137387714