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Gendering science fiction films : = ...

George, Susan A., (1959-)

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Gendering science fiction films : = invaders from the suburbs /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Gendering science fiction films :/ Susan A. George.
其他題名:	invaders from the suburbs /
作者:	George, Susan A.,
面頁冊數:	1 online resource.
內容註:	Introduction: gendering science fiction invasion films -- Science fiction blue prints for Cold War gender roles: mystique models and team players -- Saturday matinee cautionary tales: science fiction vamps and promethean scientists -- Invasion from within: mom, the nuclear family, and suburban masculinity -- "I'm not the monster here!": working women after Rosie's retirement and the men they work with -- Post-war prototypes: alternative heroes and progressive men -- Keep watching the screens: gender in fifties science fiction films and beyond.
標題:	Cold War in motion pictures. -
標題:	United States. -
電子資源:	http://link.springer.com/10.1057/9781137321589
ISBN:	113732158X (electronic bk.)

Gendering science fiction films : = invaders from the suburbs /
George, Susan A.,1959-

Gendering science fiction films :invaders from the suburbs /Susan A. George. - 1 online resource.

Includes bibliographical references and index.

Introduction: gendering science fiction invasion films -- Science fiction blue prints for Cold War gender roles: mystique models and team players -- Saturday matinee cautionary tales: science fiction vamps and promethean scientists -- Invasion from within: mom, the nuclear family, and suburban masculinity -- "I'm not the monster here!": working women after Rosie's retirement and the men they work with -- Post-war prototypes: alternative heroes and progressive men -- Keep watching the screens: gender in fifties science fiction films and beyond.

In the 1950s, science fiction (SF) invasion films played a complicated part in both supporting and criticizing Cold War ideologies. George examines what these films reveal about the tensions in the United States at the dawn of the atomic age especially concerning gender roles and expectations. Using a cultural studies approach, she works from the assumption that "invasion" films with their "us" versus "them" nature provide important visual and verbal narratives for American citizens' trying to understand and negotiate the social and political changes that followed the allied victory in World War II. By reading these invasion narratives as performances of middle-class, primarily white Americans' excitement and anxieties about social and political issues, George shows how they often played out as another round in the battle of the sexes. This book examines the way representation in these films tap into anxieties concerning the feminine and alien other.

ISBN: 113732158X (electronic bk.)

Source: 658820Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

1087991
Cold War in motion pictures.
Subjects--Geographical Terms:

574237
United States.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.9.S26 / G36 2013

Dewey Class. No.: 791.43/615

Gendering science fiction films : = invaders from the suburbs /
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504 $a Includes bibliographical references and index.
505 0 $a Introduction: gendering science fiction invasion films -- Science fiction blue prints for Cold War gender roles: mystique models and team players -- Saturday matinee cautionary tales: science fiction vamps and promethean scientists -- Invasion from within: mom, the nuclear family, and suburban masculinity -- "I'm not the monster here!": working women after Rosie's retirement and the men they work with -- Post-war prototypes: alternative heroes and progressive men -- Keep watching the screens: gender in fifties science fiction films and beyond.
520 $a In the 1950s, science fiction (SF) invasion films played a complicated part in both supporting and criticizing Cold War ideologies. George examines what these films reveal about the tensions in the United States at the dawn of the atomic age especially concerning gender roles and expectations. Using a cultural studies approach, she works from the assumption that "invasion" films with their "us" versus "them" nature provide important visual and verbal narratives for American citizens' trying to understand and negotiate the social and political changes that followed the allied victory in World War II. By reading these invasion narratives as performances of middle-class, primarily white Americans' excitement and anxieties about social and political issues, George shows how they often played out as another round in the battle of the sexes. This book examines the way representation in these films tap into anxieties concerning the feminine and alien other.
588 $a Description based on print version record.
650 0 $a Cold War in motion pictures. $3 1087991
650 0 $a Science fiction films $z United States $x History and criticism. $3 854481
650 0 $a Sex role in motion pictures. $3 540629
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650 7 $a Science fiction films. $3 719976
651 7 $a United States. $2 fast $3 574237
655 4 $a Electronic books. $2 lcsh $3 542853
655 7 $a Criticism, interpretation, etc. $2 fast $3 2020027
776 0 8 $i Print version: $a George, Susan A., 1959- $t Gendering science fiction films $z 9781137321572 $w (DLC) 2013021017 $w (OCoLC)846490364
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9781137321589