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The Black Indian in American literat...

Byars-Nichols, Keely,

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The Black Indian in American literature /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Black Indian in American literature // Keely Byars-Nichols.
作者:	Byars-Nichols, Keely,
面頁冊數:	1 online resource.
內容註:	Introduction: Within Our Borders and On Our Borders: Negotiating Shared Black and Native Histories -- 1. Assuming the Habit of the Country: John Marrant's "Narrative" and Playing Indian -- 2. Domesticated Savagery: Blackness and Indigeneity in Herman Melville's "Moby-Dick" and Elizabeth Stoddard's "Temple House" -- 3. On Precarious Footing: William Faulkner's Sam Fathers and the Specter of Slavery -- 4. Black Nationalism and Native Separatism Unhinged: Toni Morrison's "Song of Solomon"5. The First Black Indian: Leslie Marmon Silko's "Almanac of the Dead" -- Conclusion: Toward a Black Indian Poetics and Politics.
標題:	American literature - History and criticism. -
電子資源:	http://link.springer.com/10.1057/9781137389183
ISBN:	1137389184 (electronic bk.)

The Black Indian in American literature /
Byars-Nichols, Keely,

The Black Indian in American literature /Keely Byars-Nichols. - 1 online resource.

Introduction: Within Our Borders and On Our Borders: Negotiating Shared Black and Native Histories -- 1. Assuming the Habit of the Country: John Marrant's "Narrative" and Playing Indian -- 2. Domesticated Savagery: Blackness and Indigeneity in Herman Melville's "Moby-Dick" and Elizabeth Stoddard's "Temple House" -- 3. On Precarious Footing: William Faulkner's Sam Fathers and the Specter of Slavery -- 4. Black Nationalism and Native Separatism Unhinged: Toni Morrison's "Song of Solomon"5. The First Black Indian: Leslie Marmon Silko's "Almanac of the Dead" -- Conclusion: Toward a Black Indian Poetics and Politics.

The first book-length study of the figure of the black Indian in American Literature, this project explores themes of nation, culture, and performativity. Moving from the Post-Independence period to the Contemporary era, Keely Byars-Nichols examines the works of six key authors: John Marrant, Herman Melville, Elizabeth Stoddard, William Faulkner, Toni Morrison, and Leslie Marmon Silko. As often as their characters reinforce or are subjected to simplistic representations, they use their multiple rooted identities to gain freedom and assert agency. By examining both canonical and little-known primary texts, Byars-Nichols re-centers a typically marginalized racial group in a way that challenges stereotypes and conventional ways of thinking about race and culture, providing valuable context for readers interested in the overlap between African American, Native American, and Multicultural Studies.

ISBN: 1137389184 (electronic bk.)

Source: 712955Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

529676
American literature
--History and criticism.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PS121

Dewey Class. No.: 810.9

The Black Indian in American literature /
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505 0 $a Introduction: Within Our Borders and On Our Borders: Negotiating Shared Black and Native Histories -- 1. Assuming the Habit of the Country: John Marrant's "Narrative" and Playing Indian -- 2. Domesticated Savagery: Blackness and Indigeneity in Herman Melville's "Moby-Dick" and Elizabeth Stoddard's "Temple House" -- 3. On Precarious Footing: William Faulkner's Sam Fathers and the Specter of Slavery -- 4. Black Nationalism and Native Separatism Unhinged: Toni Morrison's "Song of Solomon"5. The First Black Indian: Leslie Marmon Silko's "Almanac of the Dead" -- Conclusion: Toward a Black Indian Poetics and Politics.
520 $a The first book-length study of the figure of the black Indian in American Literature, this project explores themes of nation, culture, and performativity. Moving from the Post-Independence period to the Contemporary era, Keely Byars-Nichols examines the works of six key authors: John Marrant, Herman Melville, Elizabeth Stoddard, William Faulkner, Toni Morrison, and Leslie Marmon Silko. As often as their characters reinforce or are subjected to simplistic representations, they use their multiple rooted identities to gain freedom and assert agency. By examining both canonical and little-known primary texts, Byars-Nichols re-centers a typically marginalized racial group in a way that challenges stereotypes and conventional ways of thinking about race and culture, providing valuable context for readers interested in the overlap between African American, Native American, and Multicultural Studies.
588 $a Description based on online resource; title from title details screen (Palgrave Connect, viewed Oct. 29, 2013).
650 0 $a American literature $x History and criticism. $3 529676
650 0 $a Indians in literature. $3 549737
650 0 $a Racially mixed people in literature. $3 551505
650 7 $a American literature. $3 523234
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655 7 $a Criticism, interpretation, etc. $2 fast $3 2020027
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9781137389183