語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
"Looking to its Laurels": Representa...
~
Hunter, Leslie.
FindBook
Google Book
Amazon
博客來
"Looking to its Laurels": Representations of Cinema in Theatre, 1915--1927.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
"Looking to its Laurels": Representations of Cinema in Theatre, 1915--1927./
作者:
Hunter, Leslie.
面頁冊數:
171 p.
附註:
Source: Dissertation Abstracts International, Volume: 74-11(E), Section: A.
Contained By:
Dissertation Abstracts International74-11A(E).
標題:
Literature, American. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3568020
ISBN:
9781303215742
"Looking to its Laurels": Representations of Cinema in Theatre, 1915--1927.
Hunter, Leslie.
"Looking to its Laurels": Representations of Cinema in Theatre, 1915--1927.
- 171 p.
Source: Dissertation Abstracts International, Volume: 74-11(E), Section: A.
Thesis (Ph.D.)--State University of New York at Stony Brook, 2013.
The invention of Hollywood between the first and second decade of the twentieth century generated a wide range of economic and cultural reactions in the United States. Perhaps no one area was more affected than the theatre industry, which was completely reorganized in the few short years after feature length movies became mass entertainment. The interplay between these two industries, and the counter-maneuvers made by theatre practitioners in reaction to the movies, created the circumstances that developed American theatre as we now know it: largely relegated to New York City and divided into commercial "uptown" and anti-commercial "downtown" theatre. Despite the fact that theatrical productivity and general viewership greatly decreased as a result of Hollywood, the theatre created during this era, around 1915-1927, is often considered to be the Golden Age of American theatre. I contend that this is not a coincidence, but rather that theatre practitioners and critics as well constructed a new, elevated social position for theatre in this era that served as an expression of cultural distinction for the people who made and enjoyed the theatre. Assessing the responses of theatre practitioners and critics to the movie industry serves as a useful way to understand the contemporary formation of the American theatre scene. These responses also provide a useful benchmark for perceiving and recognizing shifts in attitude toward, and in particular anxieties brought about by, the newly emergent cinema culture.
ISBN: 9781303215742Subjects--Topical Terms:
1017657
Literature, American.
"Looking to its Laurels": Representations of Cinema in Theatre, 1915--1927.
LDR
:02458nmm a2200301 4500
001
1932209
005
20140805082240.5
008
140827s2013 ||||||||||||||||| ||eng d
020
$a
9781303215742
035
$a
(MiAaPQ)AAI3568020
035
$a
AAI3568020
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Hunter, Leslie.
$3
2049820
245
1 0
$a
"Looking to its Laurels": Representations of Cinema in Theatre, 1915--1927.
300
$a
171 p.
500
$a
Source: Dissertation Abstracts International, Volume: 74-11(E), Section: A.
500
$a
Adviser: Susan Scheckel.
502
$a
Thesis (Ph.D.)--State University of New York at Stony Brook, 2013.
520
$a
The invention of Hollywood between the first and second decade of the twentieth century generated a wide range of economic and cultural reactions in the United States. Perhaps no one area was more affected than the theatre industry, which was completely reorganized in the few short years after feature length movies became mass entertainment. The interplay between these two industries, and the counter-maneuvers made by theatre practitioners in reaction to the movies, created the circumstances that developed American theatre as we now know it: largely relegated to New York City and divided into commercial "uptown" and anti-commercial "downtown" theatre. Despite the fact that theatrical productivity and general viewership greatly decreased as a result of Hollywood, the theatre created during this era, around 1915-1927, is often considered to be the Golden Age of American theatre. I contend that this is not a coincidence, but rather that theatre practitioners and critics as well constructed a new, elevated social position for theatre in this era that served as an expression of cultural distinction for the people who made and enjoyed the theatre. Assessing the responses of theatre practitioners and critics to the movie industry serves as a useful way to understand the contemporary formation of the American theatre scene. These responses also provide a useful benchmark for perceiving and recognizing shifts in attitude toward, and in particular anxieties brought about by, the newly emergent cinema culture.
590
$a
School code: 0771.
650
4
$a
Literature, American.
$3
1017657
650
4
$a
Theater History.
$3
644289
650
4
$a
Cinematography.
$3
546522
650
4
$a
Cinema.
$3
854529
690
$a
0591
690
$a
0644
690
$a
0435
690
$a
0900
710
2
$a
State University of New York at Stony Brook.
$b
English.
$3
1681526
773
0
$t
Dissertation Abstracts International
$g
74-11A(E).
790
$a
0771
791
$a
Ph.D.
792
$a
2013
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3568020
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9240512
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入