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Kendell Geers, 1988-2012 /

Kellner, Clive.

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Kendell Geers, 1988-2012 /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Kendell Geers, 1988-2012 // Haus der Kunst ; [edited by Clive Kellner ; with essays by Nicolas Bourriaud ... et al. ; and a conversation between Kendell Geers and William Kentridge ; moderated by Okwui Enwezor].
其他作者:	Kellner, Clive.
出版者:	Munich ;Prestel, : c2013.,
面頁冊數:	240 p. :ill. (chiefly col.) ;30 cm.
附註:	Catalog of an exhibition held at the Haus der Kunst, Munich, February 1-May 12, 2013.
標題:	Art, South African - Exhibitions. -
電子資源:	http://www.loc.gov/catdir/enhancements/fy1406/2012277882-d.html
ISBN:	9783791353005 (pbk.) :

Kendell Geers, 1988-2012 /
Kendell Geers, 1988-2012 /Haus der Kunst ; [edited by Clive Kellner ; with essays by Nicolas Bourriaud ... et al. ; and a conversation between Kendell Geers and William Kentridge ; moderated by Okwui Enwezor]. - Munich ;Prestel,c2013. - 240 p. :ill. (chiefly col.) ;30 cm.

Catalog of an exhibition held at the Haus der Kunst, Munich, February 1-May 12, 2013.

Includes bibliographical references.

Foreword /rtOkwui Enwezor -- Clive Kellner --

This book explores how the life and work of South African artist Kendell Geers can be seen to constitute a living archive of political turmoil, protest against injustice, and the effects of globalization. In his provocative, often humorous, but always compelling work, Kendell Geers employs various media such as installation, drawing, video, performance, and photography. For two decades his art has been closely linked to the political and cultural environments of his home--whether in South Africa or Europe. This volume explores in particular the trajectories of two decade-long periods. The first, a political phase, runs from 1988 to 2000, during which time Geers explored the moral and ethical contradictions of apartheid. By appropriating historical events and ideas, he focused on questions of the relationship between individual and society. The second period was initiated by Geers's move to Brussels in 2000. This European period is characterized by a poetic aesthetic as Geers transferred his artistic practice into a postcolonial and increasingly global context, exploring themes such as terrorism, spirituality, and mortality. This volume features a number of essays addressing aspects of Geers's work as well as an interview with the artist.

ISBN: 9783791353005 (pbk.) :UK35.00

LCCN: 2012277882Subjects--Personal Names:

2061538
Geers, Kendell,
1968---Exhibitions.Subjects--Topical Terms:

2061541
Art, South African
--Exhibitions.

LC Class. No.: N7396.G44 / A4 2013

Kendell Geers, 1988-2012 /
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500 $a Catalog of an exhibition held at the Haus der Kunst, Munich, February 1-May 12, 2013.
500 $a Essays by Bourriaud and Devèze translated from the French by B. Hutchins and C.T. Wolfe.
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505 0 # $t Foreword /rtOkwui Enwezor -- $t Kendell Geers (1988-2012) / $r Clive Kellner -- $t The perversity of my birth : The birth of my perversity / $r Kendell Geers -- $t Kendell Geers : A proletarian gnosis / $r Nicolas Bourriaud -- $t On the aesthetic and political language of art : a conversation between Kendell Geers and William Kentridge / $r Moderated by Okwui Enwezor -- $t On the political in Kendell Geers' early work, 1988-2000 / $r Katerina Gregos -- $t (With your) back to the wall : The murals of Kendall Geers / $r Anitra Nettleton -- $t Kendell Geers, or the denial of the evident / $r Laurent Devèze.
520 # $a This book explores how the life and work of South African artist Kendell Geers can be seen to constitute a living archive of political turmoil, protest against injustice, and the effects of globalization. In his provocative, often humorous, but always compelling work, Kendell Geers employs various media such as installation, drawing, video, performance, and photography. For two decades his art has been closely linked to the political and cultural environments of his home--whether in South Africa or Europe. This volume explores in particular the trajectories of two decade-long periods. The first, a political phase, runs from 1988 to 2000, during which time Geers explored the moral and ethical contradictions of apartheid. By appropriating historical events and ideas, he focused on questions of the relationship between individual and society. The second period was initiated by Geers's move to Brussels in 2000. This European period is characterized by a poetic aesthetic as Geers transferred his artistic practice into a postcolonial and increasingly global context, exploring themes such as terrorism, spirituality, and mortality. This volume features a number of essays addressing aspects of Geers's work as well as an interview with the artist.
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650 # 0 $a Violence in art $v Exhibitions. $3 2061543
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