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Women, pleasure, film = what Lolas w...

Richter, Simon.

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Women, pleasure, film = what Lolas want /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Women, pleasure, film/ by Simon Richter.
其他題名:	what Lolas want /
作者:	Richter, Simon.
面頁冊數:	1 online resource.
內容註:	Falling in love again, and again and again -- The give and take of naming -- The Lola revue: the Lola film as genre -- Lola's song and dance -- Lola doesn't kill and Lola doesn't die -- Cameras and clowns -- Lola's legs -- Domesticating Lola -- Lola's bedroom and the staircase to paradise -- Portraits of Lola -- Lola and motherhood -- Lola, race, and ethnicity -- Carousels and carnivals -- Lola's menagerie -- The colors of Lola -- It's Lola's time.
標題:	Women in motion pictures. -
電子資源:	http://link.springer.com/10.1057/9781137309730
ISBN:	9781137309730 (electronic bk.)

Women, pleasure, film = what Lolas want /
Richter, Simon.

Women, pleasure, filmwhat Lolas want /[electronic resource] :by Simon Richter. - 1 online resource.

Includes bibliographical references.

Falling in love again, and again and again -- The give and take of naming -- The Lola revue: the Lola film as genre -- Lola's song and dance -- Lola doesn't kill and Lola doesn't die -- Cameras and clowns -- Lola's legs -- Domesticating Lola -- Lola's bedroom and the staircase to paradise -- Portraits of Lola -- Lola and motherhood -- Lola, race, and ethnicity -- Carousels and carnivals -- Lola's menagerie -- The colors of Lola -- It's Lola's time.

The Lola film is a distinct subgenre of the woman's film in which woman's claim to pleasure is entertained without recourse to the figure of the femme fatale. Lola embodies a recognizable set of characteristics through which over time a select group of directors, actors, and audiences have responded in ways that do not succumb to the imperatives of gender. There are over thirty-five Lola films, starting with Marlene Dietrich in "The Blue Angel": many are German, others are French, American, British, Italian, and Spanish, but her claim has also resonated in Argentina, China, Egypt, Mexico, Thailand, and the Philippines. Lola can be working class, lesbian, transgender, ethnic, suburban, or any combination. This book examines Lola as a specific and enduring aspect of the early twentieth-century "new woman": woman's forthright claim to pleasure on her own terms, liberated, if only as a cinematic fantasy, from the usual constraints of sex and gender.

ISBN: 9781137309730 (electronic bk.)

Source: 654986Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

549618
Women in motion pictures.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.9.W6 / R53 2013

Dewey Class. No.: 791.43/6522

Women, pleasure, film = what Lolas want /
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245 1 0 $a Women, pleasure, film $h [electronic resource] : $b what Lolas want / $c by Simon Richter.
264 1 $a New York, NY : $b Palgrave Macmillan, $c 2013.
300 $a 1 online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
504 $a Includes bibliographical references.
505 0 $a Falling in love again, and again and again -- The give and take of naming -- The Lola revue: the Lola film as genre -- Lola's song and dance -- Lola doesn't kill and Lola doesn't die -- Cameras and clowns -- Lola's legs -- Domesticating Lola -- Lola's bedroom and the staircase to paradise -- Portraits of Lola -- Lola and motherhood -- Lola, race, and ethnicity -- Carousels and carnivals -- Lola's menagerie -- The colors of Lola -- It's Lola's time.
520 $a The Lola film is a distinct subgenre of the woman's film in which woman's claim to pleasure is entertained without recourse to the figure of the femme fatale. Lola embodies a recognizable set of characteristics through which over time a select group of directors, actors, and audiences have responded in ways that do not succumb to the imperatives of gender. There are over thirty-five Lola films, starting with Marlene Dietrich in "The Blue Angel": many are German, others are French, American, British, Italian, and Spanish, but her claim has also resonated in Argentina, China, Egypt, Mexico, Thailand, and the Philippines. Lola can be working class, lesbian, transgender, ethnic, suburban, or any combination. This book examines Lola as a specific and enduring aspect of the early twentieth-century "new woman": woman's forthright claim to pleasure on her own terms, liberated, if only as a cinematic fantasy, from the usual constraints of sex and gender.
588 $a Description based on print version record.
650 0 $a Women in motion pictures. $3 549618
650 0 $a Characters and characteristics in motion pictures. $3 763395
650 0 $a Sex in motion pictures. $3 592919
650 7 $a PERFORMING ARTS / Reference $2 bisacsh $3 1599794
655 4 $a Electronic books. $2 lcsh $3 542853
776 $6 1894813 $t Women, pleasure, film
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9781137309730
994 $a C0 $b TEF