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Femininity, time and feminist art

Johnson, Clare.

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Femininity, time and feminist art

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Femininity, time and feminist art/ Clare Johnson.
作者:	Johnson, Clare.
出版者:	[Basingstoke] :Palgrave Macmillan, : 2013.,
面頁冊數:	1 online resource :ill.
內容註:	1. Fantasies of Adventure, Escape and Return: Tracey Emin's "Why I Never Became a Dancer" -- 2. Traces of Feminist Art: Temporal Complexity in the work of Eleanor Antin and Elizabeth Manchester -- 3. Sexuality, Loss and Maternal Desire in the Work of Carolee Schneemann and Tracey Emin -- 4. Feminist Narratives and Unfaithful Repetition: Hannah Wilke's "Starification Object Series" -- 5. Critical Mimesis: Hannah Wilke's Double Address -- 6. Smooth Surfaces and Flattened Fantasies: Thoughts on Criticality in Sam Taylor-Johnson's "Soliloquy III" -- 7. Near-stillness in the Art Films of Sam Taylor-Johnson and Vanessa Beecroft.
標題:	Feminism and art. -
電子資源:	http://link.springer.com/10.1057/9781137318091
ISBN:	9781137318091 (electronic bk.)

Femininity, time and feminist art
Johnson, Clare.

Femininity, time and feminist art[electronic resource] /Clare Johnson. - [Basingstoke] :Palgrave Macmillan,2013. - 1 online resource :ill.

Includes bibliographical references and index.

1. Fantasies of Adventure, Escape and Return: Tracey Emin's "Why I Never Became a Dancer" -- 2. Traces of Feminist Art: Temporal Complexity in the work of Eleanor Antin and Elizabeth Manchester -- 3. Sexuality, Loss and Maternal Desire in the Work of Carolee Schneemann and Tracey Emin -- 4. Feminist Narratives and Unfaithful Repetition: Hannah Wilke's "Starification Object Series" -- 5. Critical Mimesis: Hannah Wilke's Double Address -- 6. Smooth Surfaces and Flattened Fantasies: Thoughts on Criticality in Sam Taylor-Johnson's "Soliloquy III" -- 7. Near-stillness in the Art Films of Sam Taylor-Johnson and Vanessa Beecroft.

"Femininity, Time and Feminist Art" explores feminist art of the 1970s through the lens of contemporary art made by women. In a series of original readings of artworks by, amongst others, Tracey Emin, Vanessa Beecroft, Hannah Wilke and Carolee Schneemann, Clare Johnson argues that femininity can be understood as a relationship to time. Each chapter analyses one or more artworks through different forms of time, taking the reader on a journey through a range of issues including maternal loss and desire, narratives of escape and failed femininity. "Femininity, Time and Feminist Art" argues for an inter-generational approach to art history, which is unafraid to include art considered marginal to feminism.

ISBN: 9781137318091 (electronic bk.)

Source: 503571Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

546587
Feminism and art.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: N72.F45 / J64 2013

Dewey Class. No.: 701/.03

Femininity, time and feminist art
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505 0 $a 1. Fantasies of Adventure, Escape and Return: Tracey Emin's "Why I Never Became a Dancer" -- 2. Traces of Feminist Art: Temporal Complexity in the work of Eleanor Antin and Elizabeth Manchester -- 3. Sexuality, Loss and Maternal Desire in the Work of Carolee Schneemann and Tracey Emin -- 4. Feminist Narratives and Unfaithful Repetition: Hannah Wilke's "Starification Object Series" -- 5. Critical Mimesis: Hannah Wilke's Double Address -- 6. Smooth Surfaces and Flattened Fantasies: Thoughts on Criticality in Sam Taylor-Johnson's "Soliloquy III" -- 7. Near-stillness in the Art Films of Sam Taylor-Johnson and Vanessa Beecroft.
520 $a "Femininity, Time and Feminist Art" explores feminist art of the 1970s through the lens of contemporary art made by women. In a series of original readings of artworks by, amongst others, Tracey Emin, Vanessa Beecroft, Hannah Wilke and Carolee Schneemann, Clare Johnson argues that femininity can be understood as a relationship to time. Each chapter analyses one or more artworks through different forms of time, taking the reader on a journey through a range of issues including maternal loss and desire, narratives of escape and failed femininity. "Femininity, Time and Feminist Art" argues for an inter-generational approach to art history, which is unafraid to include art considered marginal to feminism.
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