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Polygraphies = Francophone women wri...
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Rice, Alison, (1973-)
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Polygraphies = Francophone women writing Algeria /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Polygraphies/ Alison Rice.
其他題名:
Francophone women writing Algeria /
作者:
Rice, Alison,
出版者:
Charlottesville :University of Virginia Press, : 2012.,
面頁冊數:
1 online resource (256 p.).
內容註:
Introduction. The witness stand: where the truth lies -- The autobiographical springboard. Lemoi à plusieurs reprises: from confession to testimony in the autobiographical writings of Helene Cixous and Assia Djebar; La singularite de l'alterite: self-portraiture and the other in Maissa Bey -- Takeoff points. La terre maternelle: Algeria and the mother in the work of Marie Cardinal, Helene Cixous, and Assia Djebar; "La celebration d'une terre-mere": Albert Camus and Algeria according toMaissa Bey and Assia Djebar -- Embodiments. Écrire les maux: Helene Cixous and writing the body over time; Sexualites et sensualites: corporeal configurations in the work of Maissa Bey, Assia Djebar, Malika Mokeddem, and Leila Sebbar -- Reverberations. Ruptures intimes: sentimental splitting in the work of Assia Djebar; Lourds retours: coming back toAlgeria in Malika Mokeddem's L'interdite; Fille de harki: relating to the father, country, and religion in the writing of Zahia Rahmani; Fabulation et imagination: women, nation, and identification in Maissa Bey's Cette fille-là -- Conclusion.Mass in A minor: putting Algeria on the map.
標題:
Feminism and literature - History - 20th century. - Algeria -
標題:
Algeria - History - 1990- -
電子資源:
http://muse.jhu.edu/books/9780813932934/Full text available:
ISBN:
9780813932934 (electronic bk.)
Polygraphies = Francophone women writing Algeria /
Rice, Alison,1973-
Polygraphies
Francophone women writing Algeria /[electronic resource] :Alison Rice. - Charlottesville :University of Virginia Press,2012. - 1 online resource (256 p.).
Includes bibliographical references and index.
Introduction. The witness stand: where the truth lies -- The autobiographical springboard. Lemoi à plusieurs reprises: from confession to testimony in the autobiographical writings of Helene Cixous and Assia Djebar; La singularite de l'alterite: self-portraiture and the other in Maissa Bey -- Takeoff points. La terre maternelle: Algeria and the mother in the work of Marie Cardinal, Helene Cixous, and Assia Djebar; "La celebration d'une terre-mere": Albert Camus and Algeria according toMaissa Bey and Assia Djebar -- Embodiments. Écrire les maux: Helene Cixous and writing the body over time; Sexualites et sensualites: corporeal configurations in the work of Maissa Bey, Assia Djebar, Malika Mokeddem, and Leila Sebbar -- Reverberations. Ruptures intimes: sentimental splitting in the work of Assia Djebar; Lourds retours: coming back toAlgeria in Malika Mokeddem's L'interdite; Fille de harki: relating to the father, country, and religion in the writing of Zahia Rahmani; Fabulation et imagination: women, nation, and identification in Maissa Bey's Cette fille-là -- Conclusion.Mass in A minor: putting Algeria on the map.
ISBN: 9780813932934 (electronic bk.)Subjects--Topical Terms:
1998435
Feminism and literature
--History--Algeria--20th century.Subjects--Geographical Terms:
1301227
Algeria
--History--1990-
LC Class. No.: PQ3988.5.A5 / R53 2012
Dewey Class. No.: 840.9/92870965
Polygraphies = Francophone women writing Algeria /
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Introduction. The witness stand: where the truth lies -- The autobiographical springboard. Lemoi à plusieurs reprises: from confession to testimony in the autobiographical writings of Helene Cixous and Assia Djebar; La singularite de l'alterite: self-portraiture and the other in Maissa Bey -- Takeoff points. La terre maternelle: Algeria and the mother in the work of Marie Cardinal, Helene Cixous, and Assia Djebar; "La celebration d'une terre-mere": Albert Camus and Algeria according toMaissa Bey and Assia Djebar -- Embodiments. Écrire les maux: Helene Cixous and writing the body over time; Sexualites et sensualites: corporeal configurations in the work of Maissa Bey, Assia Djebar, Malika Mokeddem, and Leila Sebbar -- Reverberations. Ruptures intimes: sentimental splitting in the work of Assia Djebar; Lourds retours: coming back toAlgeria in Malika Mokeddem's L'interdite; Fille de harki: relating to the father, country, and religion in the writing of Zahia Rahmani; Fabulation et imagination: women, nation, and identification in Maissa Bey's Cette fille-là -- Conclusion.Mass in A minor: putting Algeria on the map.
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