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Artaud and his doubles

Jannarone, Kimberly.

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Artaud and his doubles

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Artaud and his doubles/ Kimberly Jannarone.
作者:	Jannarone, Kimberly.
出版者:	Ann Arbor, Mich. :University of Michigan Press, : c2010,
面頁冊數:	1 online resource (xiv, 253 p).
附註:	Issued as part of UPCC book collections on Project MUSE.
內容註:	The fight against civilization; or, the rebirth of tragedy. Invocation of the plague : nouveau mal du siecle the residues of war "The future of the world" -- Reactionary modern : the controversions of the counter-enlightenment anywhere out of this world irrational affinities -- Audience, mass, crowd. The avant-garde and the audience : the crisis of bourgeois theater the avant-garde and the audience immersion agitation -- The theater of cruelty and conceptions of the audience -- Theaters for the masses : working on the masses mythical, total, real -- Crowds and cruelty : crowd feeling inthe theater of cruelty the nerve meter -- Visions of power. The artist of the theater : the rise ofthe director artistic power in the Jarry Theater the direction of menace -- Controlling forces : directing The Cenci concentrating control power by charisma -- Conclusion : longing for nothingness.
標題:	Cruelty in literature. -
電子資源:	http://muse.jhu.edu/books/9780472027941/Full text available:
ISBN:	9780472027941 (electronic bk.)

Artaud and his doubles
Jannarone, Kimberly.

Artaud and his doubles[electronic resource] /Kimberly Jannarone. - Ann Arbor, Mich. :University of Michigan Press,c2010 - 1 online resource (xiv, 253 p). - Theater: theory/text/performance. - Theater--theory/text/performance..

Issued as part of UPCC book collections on Project MUSE.

Includes bibliographical references (p. 233-241) and index.

The fight against civilization; or, the rebirth of tragedy. Invocation of the plague : nouveau mal du siecle the residues of war "The future of the world" -- Reactionary modern : the controversions of the counter-enlightenment anywhere out of this world irrational affinities -- Audience, mass, crowd. The avant-garde and the audience : the crisis of bourgeois theater the avant-garde and the audience immersion agitation -- The theater of cruelty and conceptions of the audience -- Theaters for the masses : working on the masses mythical, total, real -- Crowds and cruelty : crowd feeling inthe theater of cruelty the nerve meter -- Visions of power. The artist of the theater : the rise ofthe director artistic power in the Jarry Theater the direction of menace -- Controlling forces : directing The Cenci concentrating control power by charisma -- Conclusion : longing for nothingness.

This is an unlooked-for project. Like many others, I first saw Artaud through the filters of American experimental theater and post-structuralism. My earliest work on Artaud began from acceptedfamiliar premises, largely established in the 1960s: Artaud as prophet, madman, genius,was the thing to study; his significance lay in his status as an inspirational figure manifesting a largely ahistorical impulse; his denunciation of civilization's discontents implied a progressive critique. My research led me in different directions, however. Fueled by a desire to really read Artaud's works closely especially his early writing and hisproductions--I dug into the archives to research Artaud's theatrical practice.

ISBN: 9780472027941 (electronic bk.)Subjects--Personal Names:

1995828
Artaud, Antonin,
1896-1948--KnowledgeSubjects--Topical Terms:

1995829
Cruelty in literature.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PQ2601.R677 / Z685 2010

Dewey Class. No.: 848/.91209

Artaud and his doubles
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520 $a This is an unlooked-for project. Like many others, I first saw Artaud through the filters of American experimental theater and post-structuralism. My earliest work on Artaud began from acceptedfamiliar premises, largely established in the 1960s: Artaud as prophet, madman, genius,was the thing to study; his significance lay in his status as an inspirational figure manifesting a largely ahistorical impulse; his denunciation of civilization's discontents implied a progressive critique. My research led me in different directions, however. Fueled by a desire to really read Artaud's works closely especially his early writing and hisproductions--I dug into the archives to research Artaud's theatrical practice.
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