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The Pusan International Film Festiva...

Ahn, SooJeong.

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The Pusan International Film Festival, South Korean cinema and globalization

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Pusan International Film Festival, South Korean cinema and globalization/ SooJeong Ahn.
作者:	Ahn, SooJeong.
出版者:	Hong Kong [China] :Hong Kong University Press, : c2011,
面頁冊數:	1 online resource (231 p.).
附註:	Issued as part of UPCC book collections on Project MUSE.
內容註:	Note to reader -- Abbreviations -- Introduction -- Film festivals between the national and the regional in the age of globalization -- 1. Why Pusan? : the political economy of a film festival -- 2. Negotiating a place between Korean cinema and Asian cinema : programming politics -- 3. Re-imagining the past : programming retrospectives -- 4. A global film producer : the Pusan promotion plan -- 5. Remapping Asian cinema :the tenth anniversary in 2005 -- Conclusion : toward a new channel -- Appendix 1. Film festivals in East Asia (1999) -- Appendix 2. PIFF over15 years (1996-2010) -- Appendix 3. Main program sections of PIFF -- Appendix 4. An overview of the tenth PIFF (October 6-14,2005) -- Appendix 5. PPP project accomplishments (1998-2005) -- Notes -- Bibliography -- Index.
標題:	Motion pictures and globalization. -
電子資源:	http://muse.jhu.edu/books/9789888053865/Full text available:
ISBN:	9789888053865 (electronic bk.)

The Pusan International Film Festival, South Korean cinema and globalization
Ahn, SooJeong.

The Pusan International Film Festival, South Korean cinema and globalization[electronic resource] /SooJeong Ahn. - Hong Kong [China] :Hong Kong University Press,c2011 - 1 online resource (231 p.). - TransAsia : screen cultures. - TransAsia: screen cultures..

Issued as part of UPCC book collections on Project MUSE.

Includes bibliographical references (p. [201]-213) and index.

Note to reader -- Abbreviations -- Introduction -- Film festivals between the national and the regional in the age of globalization -- 1. Why Pusan? : the political economy of a film festival -- 2. Negotiating a place between Korean cinema and Asian cinema : programming politics -- 3. Re-imagining the past : programming retrospectives -- 4. A global film producer : the Pusan promotion plan -- 5. Remapping Asian cinema :the tenth anniversary in 2005 -- Conclusion : toward a new channel -- Appendix 1. Film festivals in East Asia (1999) -- Appendix 2. PIFF over15 years (1996-2010) -- Appendix 3. Main program sections of PIFF -- Appendix 4. An overview of the tenth PIFF (October 6-14,2005) -- Appendix 5. PPP project accomplishments (1998-2005) -- Notes -- Bibliography -- Index.

This book is the first book-length study of a non-Western film festival. While studies of film festivals were still relatively uncommon in the 1990s, the new millennium has seen a growing academic interest in these festive events where culture often goes hand in hand with commerce. Recently, a variety of articles, book chapters, monographs and dissertations have been devoted to various aspects of the film festival phenomenon. However, very little primary empirical research has been conducted to date on non-Western film festivals. Therefore, this project is original and timely and will complement existing publications, without duplicating any. This project argues that the initiation, development andgrowth of the Pusan International Film Festival need to be understood as the result ofa productive tension between the demands of the local,the national, and the regional, and the festival's efforts to serve these different constituencies. The book also reflects the complexities brought about by the rapid transformation of the South Korean film industry which has striven to reach out to the global market since the late 1990s by closely looking at the first international film festival, PIFFin South Korea. As this book focuses upon PIFF's vital role in linkingwith its national andregional film industries, it will offer a fresh perspective towards the existing discussions on the"Korean wave" in the Asian region. Drawing on a wide range of primary materials and exclusive interviews, the book offers a unique and original perspective on the film festival phenomenon that will be of use to scholars of East Asian cinema, transnational media flows, and contemporary Asian culturemore broadly.

ISBN: 9789888053865 (electronic bk.)Subjects--Topical Terms:

1081881
Motion pictures and globalization.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1993.93.K6 / A567 2012

Dewey Class. No.: 791.430745195

The Pusan International Film Festival, South Korean cinema and globalization
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520 $a This book is the first book-length study of a non-Western film festival. While studies of film festivals were still relatively uncommon in the 1990s, the new millennium has seen a growing academic interest in these festive events where culture often goes hand in hand with commerce. Recently, a variety of articles, book chapters, monographs and dissertations have been devoted to various aspects of the film festival phenomenon. However, very little primary empirical research has been conducted to date on non-Western film festivals. Therefore, this project is original and timely and will complement existing publications, without duplicating any. This project argues that the initiation, development andgrowth of the Pusan International Film Festival need to be understood as the result ofa productive tension between the demands of the local,the national, and the regional, and the festival's efforts to serve these different constituencies. The book also reflects the complexities brought about by the rapid transformation of the South Korean film industry which has striven to reach out to the global market since the late 1990s by closely looking at the first international film festival, PIFFin South Korea. As this book focuses upon PIFF's vital role in linkingwith its national andregional film industries, it will offer a fresh perspective towards the existing discussions on the"Korean wave" in the Asian region. Drawing on a wide range of primary materials and exclusive interviews, the book offers a unique and original perspective on the film festival phenomenon that will be of use to scholars of East Asian cinema, transnational media flows, and contemporary Asian culturemore broadly.
588 $a Description based on print version record. $a Description based on print version record.
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