東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

On endings = American postmodern fic...

Grausam, Daniel, (1975-)

FindBook

Google Book

Amazon

博客來

On endings = American postmodern fiction andthe Cold War /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	On endings/ Daniel Grausam.
其他題名:	American postmodern fiction andthe Cold War /
作者:	Grausam, Daniel,
出版者:	Charlottesville :University of Virginia Press, : 2011.,
面頁冊數:	1 online resource (viii, 196 p.).
內容註:	Introduction: On endings -- Institutionalizing postmodernism: John Barth and modern war -- The Crying of Lot 49, circa 1642; or, Pynchon, periodicity, and total war -- The time of the nation, the time of the state -- Unthinking the thinkability of the unthinkable -- Trying to understand end zone -- The dominant tense: Richard Powers and late postmodernism -- Afterword: Critical conventions/postmodern canons.
標題:	Cold War in literature. -
電子資源:	http://muse.jhu.edu/books/9780813931661/Full text available:
ISBN:	9780813931661 (electronic bk.)

On endings = American postmodern fiction andthe Cold War /
Grausam, Daniel,1975-

On endingsAmerican postmodern fiction andthe Cold War /[electronic resource] :Daniel Grausam. - Charlottesville :University of Virginia Press,2011. - 1 online resource (viii, 196 p.).

Includes bibliographical references (p. [179]-189) and index.

Introduction: On endings -- Institutionalizing postmodernism: John Barth and modern war -- The Crying of Lot 49, circa 1642; or, Pynchon, periodicity, and total war -- The time of the nation, the time of the state -- Unthinking the thinkability of the unthinkable -- Trying to understand end zone -- The dominant tense: Richard Powers and late postmodernism -- Afterword: Critical conventions/postmodern canons.

What does narrative look like when the possibility of an expansive future has been called into question? This query is the driving force behind Daniel Grausam's On Endings, which seeks to show how the core texts of American postmodernism are a response to the geopolitical dynamicsof the Cold War and especially to the new potential for total nuclear conflict. Postwar American fiction needs to be rethought, he argues, byhighlighting postmodern experimentation as a mode of profound historical consciousness. On Endings significantly extends the project of historicizing postmodernism while returning the nuclear to a central place in the study of the Cold War.

ISBN: 9780813931661 (electronic bk.)Subjects--Personal Names:

921636
Powers, Richard,
1957-Subjects--Topical Terms:

771130
Cold War in literature.

LC Class. No.: PS374.P64 / G7 2011

Dewey Class. No.: 813/.5409

On endings = American postmodern fiction andthe Cold War /
LDR:02159cmm a22003254a 4500 001 1890190
003 BmJHUP
005 20130419142313.0
006 m f d u
007 cr un uuauu
008 131111s2011 vau sb 001 0 eng d
010 $z 2011008422
020 $a 9780813931661 (electronic bk.)
020 $a 0813931665 (electronic bk.)
020 $a 9780813931616 (hbk.)
020 $a 0813931614 (hbk.)
020 $a 9780813931623 (pbk.)
020 $a 0813931622 (pbk.)
035 $a MUSE102615
040 $a MdBmJHUP $c MdBmJHUP
041 0 $a eng
050 0 0 $a PS374.P64 $b G7 2011
082 0 0 $a 813/.5409 $2 22
100 1 $a Grausam, Daniel, $d 1975- $3 1993395
245 1 0 $a On endings $h [electronic resource] : $b American postmodern fiction andthe Cold War / $c Daniel Grausam.
260 $a Charlottesville : $b University of Virginia Press, $c 2011. $e (Baltimore,Md. : $f Project MUSE, $g 2013)
300 $a 1 online resource (viii, 196 p.).
504 $a Includes bibliographical references (p. [179]-189) and index.
505 0 $a Introduction: On endings -- Institutionalizing postmodernism: John Barth and modern war -- The Crying of Lot 49, circa 1642; or, Pynchon, periodicity, and total war -- The time of the nation, the time of the state -- Unthinking the thinkability of the unthinkable -- Trying to understand end zone -- The dominant tense: Richard Powers and late postmodernism -- Afterword: Critical conventions/postmodern canons.
520 $a What does narrative look like when the possibility of an expansive future has been called into question? This query is the driving force behind Daniel Grausam's On Endings, which seeks to show how the core texts of American postmodernism are a response to the geopolitical dynamicsof the Cold War and especially to the new potential for total nuclear conflict. Postwar American fiction needs to be rethought, he argues, byhighlighting postmodern experimentation as a mode of profound historical consciousness. On Endings significantly extends the project of historicizing postmodernism while returning the nuclear to a central place in the study of the Cold War.
588 $a Description based on print version record.
600 1 0 $a Powers, Richard, $d 1957- $3 921636
600 1 0 $a Pynchon, Thomas $x Criticism and interpretation. $3 1558691
600 1 0 $a Barth, John, $d 1930- $t Lost in the funhouse. $3 1978590
650 0 $a Cold War in literature. $3 771130
650 0 $a Cold War $x Influence. $3 844206
650 0 $a Postmodernism (Literature) $z United States. $3 571630
650 0 $a American fiction $x History and criticism $x Theory, etc. $3 697629
710 2 $a Project Muse. $3 1604274
856 4 0 $z Full text available: $u http://muse.jhu.edu/books/9780813931661/