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Phenomenology and the future of film...
~
Chamarette, Jenny, (1981-)
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Phenomenology and the future of film = rethinking subjectivity beyond French cinema /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Phenomenology and the future of film/ Jenny Chamarette.
其他題名:
rethinking subjectivity beyond French cinema /
作者:
Chamarette, Jenny,
出版者:
New York :Palgrave Macmillan, : 2013.,
面頁冊數:
1 online resource.
內容註:
Introduction -- Time and matter: temporality, embodied subjectivity and film phenomenology -- Knowing and nothing: Chris Marker, subjective temporalities and vocalic bodies in the future tense -- Agn�es Varda's Trinket box: subjective relationality, affect and temporalised space -- Burlesque gestures and bodily attention: phenomenologies of the ephemeral in Chantal Akerman -- Threatened corporealities: thinking with the films of Philippe Grandrieux -- Conclusion: rethinking cinematic subjectivity and beyond.
標題:
Motion pictures - Philosophy. -
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137283740
ISBN:
9781137283740 (electronic bk.)
Phenomenology and the future of film = rethinking subjectivity beyond French cinema /
Chamarette, Jenny,1981-
Phenomenology and the future of film
rethinking subjectivity beyond French cinema /[electronic resource] :Jenny Chamarette. - New York :Palgrave Macmillan,2013. - 1 online resource.
Includes bibliographical references.
Introduction -- Time and matter: temporality, embodied subjectivity and film phenomenology -- Knowing and nothing: Chris Marker, subjective temporalities and vocalic bodies in the future tense -- Agn�es Varda's Trinket box: subjective relationality, affect and temporalised space -- Burlesque gestures and bodily attention: phenomenologies of the ephemeral in Chantal Akerman -- Threatened corporealities: thinking with the films of Philippe Grandrieux -- Conclusion: rethinking cinematic subjectivity and beyond.
Tapping a rich vein of phenomenological and post-phenomenological approaches to film, this book explores how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Jenny Chamarette brings theorizations of phenomenology from philosophy, psychology and anthropology, to four close studies of experimental and avant-garde moving image works by internationally recognized and widely studied contemporary French filmmakers, whose cinematic production spans the 1950s to the present day. Acknowledging the shifting ground of the cinematic across multiple media and geographies, from 35mm feature film, to video-tape, to projected installation and digital video, this volume asks how phenomenological approaches to film can help us to rethink the relationship of subjectivity to our future cinematic world.
ISBN: 9781137283740 (electronic bk.)
Source: 504034Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
550295
Motion pictures
--Philosophy.Index Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PN1995.9.P42 / C53 2013
Dewey Class. No.: 791.4301
Phenomenology and the future of film = rethinking subjectivity beyond French cinema /
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Introduction -- Time and matter: temporality, embodied subjectivity and film phenomenology -- Knowing and nothing: Chris Marker, subjective temporalities and vocalic bodies in the future tense -- Agn�es Varda's Trinket box: subjective relationality, affect and temporalised space -- Burlesque gestures and bodily attention: phenomenologies of the ephemeral in Chantal Akerman -- Threatened corporealities: thinking with the films of Philippe Grandrieux -- Conclusion: rethinking cinematic subjectivity and beyond.
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Tapping a rich vein of phenomenological and post-phenomenological approaches to film, this book explores how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Jenny Chamarette brings theorizations of phenomenology from philosophy, psychology and anthropology, to four close studies of experimental and avant-garde moving image works by internationally recognized and widely studied contemporary French filmmakers, whose cinematic production spans the 1950s to the present day. Acknowledging the shifting ground of the cinematic across multiple media and geographies, from 35mm feature film, to video-tape, to projected installation and digital video, this volume asks how phenomenological approaches to film can help us to rethink the relationship of subjectivity to our future cinematic world.
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