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Translating popular film and the int...

O'Sullivan, Carol.

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Translating popular film and the intercultural imagination

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Translating popular film and the intercultural imagination/ Carol O'Sullivan.
作者:	O'Sullivan, Carol.
出版者:	Basingstoke :Palgrave Macmillan, : 2010.,
面頁冊數:	1 online resource.
內容註:	Acknowledgements -- Introduction -- Mimesis and Film Languages -- The Dream of Instant Translation -- Before and Beyond Subtitles -- Subtitling and the Ethics of Representation -- Where are the Subtitles? Metalepsis, Subtitling and Narration -- Multilingualism and Screen Translation.
標題:	Translating and interpreting. -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9780230317543
ISBN:	9780230317543 (electronic bk.)

Translating popular film and the intercultural imagination
O'Sullivan, Carol.

Translating popular film and the intercultural imagination[electronic resource] /Carol O'Sullivan. - Basingstoke :Palgrave Macmillan,2010. - 1 online resource.

Includes bibliographical references, filmography and index.

Acknowledgements -- Introduction -- Mimesis and Film Languages -- The Dream of Instant Translation -- Before and Beyond Subtitles -- Subtitling and the Ethics of Representation -- Where are the Subtitles? Metalepsis, Subtitling and Narration -- Multilingualism and Screen Translation.

In recent years, foreign languages and subtitles have moved out of the arthouse into the multiplex, with films such as Dances With Wolves, The Last Samurai, Traffic and Inglourious Basterds. Foreign languages have always been part of popular cinema {esc}b6{esc}s think of The Third Man or Treasure of the Sierra Madre {esc}b6{esc}s but often foreign speech has been represented in English or reduced to the hubbub of voices in the background. This book deals with the tradition of foreign languages in the cinema, showing how a diverse range of devices and narrative conventions has evolved to represent and translate foreign languages for cinema audiences. Devices such as the translating dissolve, the close-up, the ludic subtitle and the narrational subtitle used in films from the silent period to today are analysed in the light of cinema's mission to tell stories about characters who don't share a language with the cinema audience.

ISBN: 9780230317543 (electronic bk.)

Standard No.: 9786613290304

Source: 518281Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

550632
Translating and interpreting.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: P306 / .O78 2010

Dewey Class. No.: 418.02

Translating popular film and the intercultural imagination
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520 $a In recent years, foreign languages and subtitles have moved out of the arthouse into the multiplex, with films such as Dances With Wolves, The Last Samurai, Traffic and Inglourious Basterds. Foreign languages have always been part of popular cinema {esc}b6{esc}s think of The Third Man or Treasure of the Sierra Madre {esc}b6{esc}s but often foreign speech has been represented in English or reduced to the hubbub of voices in the background. This book deals with the tradition of foreign languages in the cinema, showing how a diverse range of devices and narrative conventions has evolved to represent and translate foreign languages for cinema audiences. Devices such as the translating dissolve, the close-up, the ludic subtitle and the narrational subtitle used in films from the silent period to today are analysed in the light of cinema's mission to tell stories about characters who don't share a language with the cinema audience.
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