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Representations of femininity in Ame...

Greven, David.

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Representations of femininity in American genre cinema = the woman's film, film noir, and modern horror /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Representations of femininity in American genre cinema/ by David Greven.
其他題名:	the woman's film, film noir, and modern horror /
作者:	Greven, David.
出版者:	New York, NY :Palgrave Macmillan, : 2011.,
面頁冊數:	1 online resource (214 p.)
內容註:	Femininity and Film Genres * Freud and the Death-Mother * Transformations of the Woman's Film * Modern Horror as the Concealed Woman's Film * Medusa in the Mirror: Brian De Palma's Carrie * Demeter and Persephone in Space: Transformation, Femininity, and Myth in the Alien Films * The Finalizing Woman: Horror, Femininity, and Queer Monsters * The Brave One.
內容註:	Introduction : femininity and film genres -- Freud and classical Hollywood. Freud and the death-mother -- Transformations of the woman's film : or, feminine myths -- Modern horror. Modern horror as the concealed woman's film -- Medusa in the mirror : Brian de Palma's Carrie -- Demeter and Persephone in space : transformation, femininity, and myth in the alien films -- The finalizing woman : horror, femininity, and queer monsters -- Coda : the brave one.
標題:	Femininity in motion pictures. -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9780230118836An electronic book accessible through the World Wide Web; click for information
ISBN:	9780230118836 (electronic bk.)

Representations of femininity in American genre cinema = the woman's film, film noir, and modern horror /
Greven, David.

Representations of femininity in American genre cinemathe woman's film, film noir, and modern horror /[electronic resource] :by David Greven. - New York, NY :Palgrave Macmillan,2011. - 1 online resource (214 p.)

Includes bibliographical references.

Femininity and Film Genres * Freud and the Death-Mother * Transformations of the Woman's Film * Modern Horror as the Concealed Woman's Film * Medusa in the Mirror: Brian De Palma's Carrie * Demeter and Persephone in Space: Transformation, Femininity, and Myth in the Alien Films * The Finalizing Woman: Horror, Femininity, and Queer Monsters * The Brave One.

The theme of female transformation informs the Hollywood representation of femininity from the studio era to the present. Whether it occurs physically, emotionally, or on some other level, transformation allows female protagonists to negotiate their own complex desires and to resist the compulsory marriage plot. A sweeping study of Hollywood from Now, Voyager, The Heiress, and Flamingo Road to Carrie, the Alien films, The Brave One, and the slasher horror genre, this book boldly unsettles commonplace understandings of genre film, female sexuality, and Freudian theory as it makes a strong new case for the queer relevance of female representation.

ISBN: 9780230118836 (electronic bk.)

Source: 525903Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

1083591
Femininity in motion pictures.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.9.W6 / G745 2011

Dewey Class. No.: 791.43/6522

Representations of femininity in American genre cinema = the woman's film, film noir, and modern horror /
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505 0 $a Introduction : femininity and film genres -- Freud and classical Hollywood. Freud and the death-mother -- Transformations of the woman's film : or, feminine myths -- Modern horror. Modern horror as the concealed woman's film -- Medusa in the mirror : Brian de Palma's Carrie -- Demeter and Persephone in space : transformation, femininity, and myth in the alien films -- The finalizing woman : horror, femininity, and queer monsters -- Coda : the brave one.
520 $a The theme of female transformation informs the Hollywood representation of femininity from the studio era to the present. Whether it occurs physically, emotionally, or on some other level, transformation allows female protagonists to negotiate their own complex desires and to resist the compulsory marriage plot. A sweeping study of Hollywood from Now, Voyager, The Heiress, and Flamingo Road to Carrie, the Alien films, The Brave One, and the slasher horror genre, this book boldly unsettles commonplace understandings of genre film, female sexuality, and Freudian theory as it makes a strong new case for the queer relevance of female representation.
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