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New Takes in Film-Philosophy

Carel, Havi.

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New Takes in Film-Philosophy

Record Type:	Electronic resources : Monograph/item
Title/Author:	New Takes in Film-Philosophy/
Author:	Carel, Havi.
other author:	Tuck, Greg.
Published:	Basingstoke :Palgrave Macmillan, : 2011.,
Description:	1 online resource (272 p.)
[NT 15003449]:	On the Possibility of Cinematic Philosophy -- Re-enfranchising Film: Towards a Romantic Film-Philosophy -- Notes on Stanley Cavell and Philosophical Film Criticism -- Broken Glass by the Road: Adorno and a Cinema of Negativity -- Film Can't Philosophise (and Neither Can Philosophy): Introduction to a Non-Philosophy of Cinema -- The Loom of Fate: Graphic Origins and Digital Ontology in Wanted -- Film, Literature and Non-Cognitive Affect -- Theory as Style: Adapting Crash via Baudrillard and Cronenberg -- The Ghost is the Machine: Media-Philosophy and Materialism -- Art, Cinema, Sex, Ontology: Maurice Merleau-Ponty and the In-visible of Cinema -- Fleshing Out the Image: Phenomenology, Pedagogy, and Derek Jarman's Blue -- Serious Men: The Films of the Coen Brothers as Ethics -- A Bleak Burlesque: Michael Haneke's Funny Games as a Study in Violence -- In the Grip of Grief: Epistemic Impotence and the Materiality of Mourning in Shinya Tsukamoto's VitalIndex.
Subject:	Motion pictures - Philosophy. -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9780230294851
ISBN:	9780230294851

New Takes in Film-Philosophy
Carel, Havi.

New Takes in Film-Philosophy[electronic resource]. - Basingstoke :Palgrave Macmillan,2011. - 1 online resource (272 p.)

On the Possibility of Cinematic Philosophy -- Re-enfranchising Film: Towards a Romantic Film-Philosophy -- Notes on Stanley Cavell and Philosophical Film Criticism -- Broken Glass by the Road: Adorno and a Cinema of Negativity -- Film Can't Philosophise (and Neither Can Philosophy): Introduction to a Non-Philosophy of Cinema -- The Loom of Fate: Graphic Origins and Digital Ontology in Wanted -- Film, Literature and Non-Cognitive Affect -- Theory as Style: Adapting Crash via Baudrillard and Cronenberg -- The Ghost is the Machine: Media-Philosophy and Materialism -- Art, Cinema, Sex, Ontology: Maurice Merleau-Ponty and the In-visible of Cinema -- Fleshing Out the Image: Phenomenology, Pedagogy, and Derek Jarman's Blue -- Serious Men: The Films of the Coen Brothers as Ethics -- A Bleak Burlesque: Michael Haneke's Funny Games as a Study in Violence -- In the Grip of Grief: Epistemic Impotence and the Materiality of Mourning in Shinya Tsukamoto's VitalIndex.

This collection displays a range of approaches and contemporary developments in the expanding field of film-philosophy. The essays explore central issues surrounding the conjunction of film and philosophy, presenting a varied yet coherent reflection on the nature of this conjunction.

PDF.

ISBN: 9780230294851Subjects--Topical Terms:

550295
Motion pictures
--Philosophy.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1994 / .C37 2011eb

Dewey Class. No.: 791.4301

New Takes in Film-Philosophy
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505 0 $a On the Possibility of Cinematic Philosophy -- Re-enfranchising Film: Towards a Romantic Film-Philosophy -- Notes on Stanley Cavell and Philosophical Film Criticism -- Broken Glass by the Road: Adorno and a Cinema of Negativity -- Film Can't Philosophise (and Neither Can Philosophy): Introduction to a Non-Philosophy of Cinema -- The Loom of Fate: Graphic Origins and Digital Ontology in Wanted -- Film, Literature and Non-Cognitive Affect -- Theory as Style: Adapting Crash via Baudrillard and Cronenberg -- The Ghost is the Machine: Media-Philosophy and Materialism -- Art, Cinema, Sex, Ontology: Maurice Merleau-Ponty and the In-visible of Cinema -- Fleshing Out the Image: Phenomenology, Pedagogy, and Derek Jarman's Blue -- Serious Men: The Films of the Coen Brothers as Ethics -- A Bleak Burlesque: Michael Haneke's Funny Games as a Study in Violence -- In the Grip of Grief: Epistemic Impotence and the Materiality of Mourning in Shinya Tsukamoto's VitalIndex.
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