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The management of opera = an interna...

Agid, Philippe.

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The management of opera = an international comparative study /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The management of opera/ Philippe Agid and Jean-Claude Tarondeau.
Reminder of title:	an international comparative study /
Author:	Agid, Philippe.
other author:	Tarondeau, Jean-Claude.
Published:	Basingstoke, Hampshire ;Palgrave Macmillan, : 2010.,
Description:	1 online resource (xx, 300 p.) :ill.
[NT 15003449]:	Opera Houses: Order and Diversity -- Programming: Risk and Commitment for the Future -- Artistic and Technical Production -- Audience and Diffusion -- Architecture: Constraints or Opportunities? -- Funding Opera Houses -- Governance, Organization, Management -- Tensions, Conflicts and Recent Crises -- Achievements, Strategic Options and Perspectives.
Subject:	Opera - Production and direction. -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9780230299276An electronic book accessible through the World Wide Web; click for information
ISBN:	9780230299276 (electronic bk.)

The management of opera = an international comparative study /
Agid, Philippe.

The management of operaan international comparative study /[electronic resource] :Philippe Agid and Jean-Claude Tarondeau. - Basingstoke, Hampshire ;Palgrave Macmillan,2010. - 1 online resource (xx, 300 p.) :ill.

Includes bibliographical references and index.

Opera Houses: Order and Diversity -- Programming: Risk and Commitment for the Future -- Artistic and Technical Production -- Audience and Diffusion -- Architecture: Constraints or Opportunities? -- Funding Opera Houses -- Governance, Organization, Management -- Tensions, Conflicts and Recent Crises -- Achievements, Strategic Options and Perspectives.

Opera houses everywhere are faced with cultural, management, financial and governance issues. The cultural stakes are high. Are opera houses becoming museums or institutions whose mission is to preserve rather than create? Up to what point are they creative? Why do they deserve so much public and private funding? Most operas were composed over a century ago, when labour was cheap. Today, production costs are so high that just one-half to a quarter of the costs are paid for by those who attend the performances. In this unique study, Philippe Agid and Jean-Claude Tarondeau explore the increasing problems opera houses and companies face in managing an established and historic art form in a modern business environment. By making international comparisons, the authors find that the solutions are related to historic, local and global factors.

ISBN: 9780230299276 (electronic bk.)

Source: 399795Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

660098
Opera
--Production and direction.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: ML1700 / .A37 2010

Dewey Class. No.: 792.502/3

The management of opera = an international comparative study /
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520 $a Opera houses everywhere are faced with cultural, management, financial and governance issues. The cultural stakes are high. Are opera houses becoming museums or institutions whose mission is to preserve rather than create? Up to what point are they creative? Why do they deserve so much public and private funding? Most operas were composed over a century ago, when labour was cheap. Today, production costs are so high that just one-half to a quarter of the costs are paid for by those who attend the performances. In this unique study, Philippe Agid and Jean-Claude Tarondeau explore the increasing problems opera houses and companies face in managing an established and historic art form in a modern business environment. By making international comparisons, the authors find that the solutions are related to historic, local and global factors.
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