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European cinema in motion = migrant ...
~
Berghahn, Daniela, (1957-)
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European cinema in motion = migrant and diasporic film in contemporary Europe /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
European cinema in motion/ edited by Daniela Berghahn and Claudia Sternberg.
其他題名:
migrant and diasporic film in contemporary Europe /
其他作者:
Berghahn, Daniela,
出版者:
Basingstoke :Palgrave Macmillan, : c2010.,
面頁冊數:
1 online resource (xiv, 321 p.) :ill.
標題:
Emigration and immigration in motion pictures. -
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9780230295070An electronic book accessible through the World Wide Web; click for information
ISBN:
9780230295070 (electronic bk.)
European cinema in motion = migrant and diasporic film in contemporary Europe /
European cinema in motion
migrant and diasporic film in contemporary Europe /[electronic resource] :edited by Daniela Berghahn and Claudia Sternberg. - Basingstoke :Palgrave Macmillan,c2010. - 1 online resource (xiv, 321 p.) :ill.
Includes bibliographical references and index.
Locating migrant and diasporic cinema in contemporary Europe /Daniela Berghahn and Claudia Sternberg --
Transnational mobility and migration are amongst the most powerful forces of social transformation in the contemporary world. Over the past three decades, representations of migrant and diasporic experiences and the dynamics of postmodern multiculturalism have assumed a prominent position in European mainstream and art house cinema. Filmmakers with a migratory background have brought about the World Cinema turn in European cinema by introducing new narratives and by fusing Western and non-Western aesthetic traditions. European Cinema in Motion develops an original theory of migrant and diasporic cinema and provides an overview of its cultural and industrial contexts in Europe. Representative case studies of more than eighty films adopt a comparative perspective in the search for the commonalities and differences between productions from Western, Southern and Eastern Europe. The contributions reflect the wide spectrum of this important new field at the interface of (trans)national, European and World Cinema.
ISBN: 9780230295070 (electronic bk.)
Standard No.: 9786612998645
Source: 471051Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
1087318
Emigration and immigration in motion pictures.
Index Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PN1993.5.E85 / E85 2010
Dewey Class. No.: 791.436552
European cinema in motion = migrant and diasporic film in contemporary Europe /
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State and other funding for migrant, diasporic and world cinemas in Europe /
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Anne J�ackel --
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Nostalgic journeys in post-Soviet cinema :
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towards a lost home? /
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Birgit Beumers --
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Transculturation in German and Spanish migrant and diasporic cinema :
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on constrained spaces and minor intimacies in Princesses and A little bit of freedom /
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Encarnaci�on Guti�errez Rodr�iguez --
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The dark side of hybridity :
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contemporary black and Asian British cinema /
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Sarita Malik --
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immigrants in recent Spanish, Italian and Greek cinemas /
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Isabel Santaolalla --
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Gendering diaspora :
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Carrie Tarr --
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James S. Williams --
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Sound bridges :
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transnational mobility as ironic melodrama /
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Deniz G�okt�urk --
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Coming of age in "the hood" :
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the diasporic youth film and questions of genre /
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Daniela Berghahn --
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Migration, diaspora and metacinematic reflection /
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Claudia Sternberg --
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some onward perspectives on migrant and diasporic film practice /
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Transnational mobility and migration are amongst the most powerful forces of social transformation in the contemporary world. Over the past three decades, representations of migrant and diasporic experiences and the dynamics of postmodern multiculturalism have assumed a prominent position in European mainstream and art house cinema. Filmmakers with a migratory background have brought about the World Cinema turn in European cinema by introducing new narratives and by fusing Western and non-Western aesthetic traditions. European Cinema in Motion develops an original theory of migrant and diasporic cinema and provides an overview of its cultural and industrial contexts in Europe. Representative case studies of more than eighty films adopt a comparative perspective in the search for the commonalities and differences between productions from Western, Southern and Eastern Europe. The contributions reflect the wide spectrum of this important new field at the interface of (trans)national, European and World Cinema.
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