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Western influence on Chinese music i...

Liang, Yongsheng.

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Western influence on Chinese music in the early twentieth century.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Western influence on Chinese music in the early twentieth century./
作者:	Liang, Yongsheng.
面頁冊數:	314 p.
附註:	Source: Dissertation Abstracts International, Volume: 55-07, Section: A, page: 1736.
Contained By:	Dissertation Abstracts International55-07A.
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9429966

Western influence on Chinese music in the early twentieth century.
Liang, Yongsheng.

Western influence on Chinese music in the early twentieth century. - 314 p.

Source: Dissertation Abstracts International, Volume: 55-07, Section: A, page: 1736.

Thesis (Ph.D.)--Stanford University, 1994.

The introduction and integration of Western music into China is but a part of the larger historical context of nearly three hundred years of political, social, and economic interaction between the West and China. This dissertation studies in depth the influence of Western music on Chinese music in the early twentieth century.Subjects--Topical Terms:

516178
Music.

Western influence on Chinese music in the early twentieth century.
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100 1 $a Liang, Yongsheng. $3 1952927
245 1 0 $a Western influence on Chinese music in the early twentieth century.
300 $a 314 p.
500 $a Source: Dissertation Abstracts International, Volume: 55-07, Section: A, page: 1736.
500 $a Adviser: Albert Cohen.
502 $a Thesis (Ph.D.)--Stanford University, 1994.
520 $a The introduction and integration of Western music into China is but a part of the larger historical context of nearly three hundred years of political, social, and economic interaction between the West and China. This dissertation studies in depth the influence of Western music on Chinese music in the early twentieth century.
520 $a The introduction traces early musical contact between the West and China from the seventeenth century to the nineteenth century.
520 $a Chapter one discusses the School-song Movement in the first two decades of the twentieth century and the adaptation of Western popular music into the curriculum of the Chinese school system.
520 $a Chapter two surveys the second stage of this musical development, including the May Fourth student protest and its subsequent "New Culture Movement." While resentment of Western colonialism and nationalism gave rise to the left-wing movement, the burgeoning Chinese bourgeoisie and industrialization were the dominant social and economic phenomena. Western music became more popular, particularly among student groups in colleges and universities, culminating with the founding of the Shanghai Conservatory.
520 $a Chapter three studies the lives and works of the leading Chinese composers who were educated in the West. While their musical works clearly reveal the source of their influence--mid-nineteenth century German romanticism, both in harmony and style--their efforts in combining Western harmony and musical form with Chinese musical idioms produced refreshing results.
520 $a Chapter four concludes the analysis with the musical works of second-generation Chinese composers who followed the footsteps of their predecessors. The Japanese invasion of China and the Second World War interrupted academic musical development in China, thus marking the end of a historical era.
520 $a The epilogue briefly summarizes the development of Western music in China, and the addendum provides copies of rare historical records and documents pertinent to this study.
590 $a School code: 0212.
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650 4 $a History, General. $3 1017448
650 4 $a History, Asia, Australia and Oceania. $3 626624
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773 0 $t Dissertation Abstracts International $g 55-07A.
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791 $a Ph.D.
792 $a 1994
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