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The symphonies of Ernst von Dohnanyi.

DeFoor, Keith Alex.

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The symphonies of Ernst von Dohnanyi.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The symphonies of Ernst von Dohnanyi./
作者:	DeFoor, Keith Alex.
面頁冊數:	297 p.
附註:	Source: Dissertation Abstracts International, Volume: 52-11, Section: A, page: 3762.
Contained By:	Dissertation Abstracts International52-11A.
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9209114

The symphonies of Ernst von Dohnanyi.
DeFoor, Keith Alex.

The symphonies of Ernst von Dohnanyi. - 297 p.

Source: Dissertation Abstracts International, Volume: 52-11, Section: A, page: 3762.

Thesis (Ph.D.)--The Florida State University, 1991.

The focus of this document is the harmonic/tonal, formal, and orchestrational characteristics of Ernst von Dohnanyi's three symphonies (which date from his student years, early professional years, and final years, respectively). The study begins with a biographical sketch of Dohnanyi (Chapter I) and a survey of the symphonic genre to 1960 (Chapter II). Subsequently, a detailed analysis of each Dohnanyi symphony is presented (Chapters III-V) as well as a summary which addresses the historical perspective of these symphonies and the similarities and dissimilarities among Dohnanyi's formative, early, and late symphonic compositional procedures (Chapter VI).Subjects--Topical Terms:

516178
Music.

The symphonies of Ernst von Dohnanyi.
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100 1 $a DeFoor, Keith Alex. $3 1951296
245 1 4 $a The symphonies of Ernst von Dohnanyi.
300 $a 297 p.
500 $a Source: Dissertation Abstracts International, Volume: 52-11, Section: A, page: 3762.
500 $a Major Professor: Peter Spencer.
502 $a Thesis (Ph.D.)--The Florida State University, 1991.
520 $a The focus of this document is the harmonic/tonal, formal, and orchestrational characteristics of Ernst von Dohnanyi's three symphonies (which date from his student years, early professional years, and final years, respectively). The study begins with a biographical sketch of Dohnanyi (Chapter I) and a survey of the symphonic genre to 1960 (Chapter II). Subsequently, a detailed analysis of each Dohnanyi symphony is presented (Chapters III-V) as well as a summary which addresses the historical perspective of these symphonies and the similarities and dissimilarities among Dohnanyi's formative, early, and late symphonic compositional procedures (Chapter VI).
520 $a The above-mentioned analyses indicate that the Dohnanyi symphonies--in terms of harmony/tonality, form, and orchestration--are fundamentally conservative romantic in nature; however, each successive symphony is imbued with an increased quantity of radical romantic qualities. Because each symphony is from a different period of Dohnanyi's life, these works reflect the metamorphosis of Dohnanyi's compositional style over the course of his entire life.
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