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"Walking and singing and following t...

Ewald, Werner.

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"Walking and singing and following the song": Musical practice in the acculturation of German Brazilians in south Brazil.

Record Type:	Electronic resources : Monograph/item
Title/Author:	"Walking and singing and following the song": Musical practice in the acculturation of German Brazilians in south Brazil./
Author:	Ewald, Werner.
Description:	294 p.
Notes:	Source: Dissertation Abstracts International, Volume: 65-02, Section: A, page: 0336.
Contained By:	Dissertation Abstracts International65-02A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3122624

"Walking and singing and following the song": Musical practice in the acculturation of German Brazilians in south Brazil.
Ewald, Werner.

"Walking and singing and following the song": Musical practice in the acculturation of German Brazilians in south Brazil. - 294 p.

Source: Dissertation Abstracts International, Volume: 65-02, Section: A, page: 0336.

Thesis (Ph.D.)--Lutheran School of Theology at Chicago, 2004.

The purpose of this dissertation is to examine the musical practices, sacred and secular, of the German Brazilian ethnic group, and to analyze how their musical practices embody and voice the process of acculturation of this complex ethnic community in Brazil.Subjects--Topical Terms:

516178
Music.

"Walking and singing and following the song": Musical practice in the acculturation of German Brazilians in south Brazil.
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100 1 $a Ewald, Werner. $3 1951228
245 1 0 $a "Walking and singing and following the song": Musical practice in the acculturation of German Brazilians in south Brazil.
300 $a 294 p.
500 $a Source: Dissertation Abstracts International, Volume: 65-02, Section: A, page: 0336.
500 $a Advisers: Kurt Hendel; Philip V. Bohlman.
502 $a Thesis (Ph.D.)--Lutheran School of Theology at Chicago, 2004.
520 $a The purpose of this dissertation is to examine the musical practices, sacred and secular, of the German Brazilian ethnic group, and to analyze how their musical practices embody and voice the process of acculturation of this complex ethnic community in Brazil.
520 $a Using an ethnomusicological and historical approach, I argue that German Brazilian musical practice provides special and unique insights into the cultural, religious and social order of this societal group, past and present, and does not just memorialize the "Old World," but rather historically constructs and expresses their history in the "New World." German Brazilians form a history of change, in which music, consciously drawn from the past, is a powerful symbol of a contemporary world that reveals the way in which this ethnic group views, articulates, and represents it social, cultural, and religious identity in multicultural modern Brazil.
520 $a Characteristic of this Brazilian ethnic music history is the interaction of sacred and secular music, folk and popular genres, and the cultural practices that honor the past by shaping the modern expression of this group of people through a unique musical practice.
590 $a School code: 0309.
650 4 $a Music. $3 516178
650 4 $a Religion, History of. $3 1017471
650 4 $a History, Latin American. $3 1017580
650 4 $a Sociology, Ethnic and Racial Studies. $3 1017474
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690 $a 0320
690 $a 0336
690 $a 0631
710 2 0 $a Lutheran School of Theology at Chicago. $3 1269042
773 0 $t Dissertation Abstracts International $g 65-02A.
790 1 0 $a Hendel, Kurt, $e advisor
790 1 0 $a Bohlman, Philip V., $e advisor
790 $a 0309
791 $a Ph.D.
792 $a 2004
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3122624