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Performance theory and the contempor...

Taylor, Scott Dwayne.

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Performance theory and the contemporary French stage: Toward a semiotic concretization of Michel Azama's "Croisades" (Patrice Pavis).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Performance theory and the contemporary French stage: Toward a semiotic concretization of Michel Azama's "Croisades" (Patrice Pavis)./
作者:	Taylor, Scott Dwayne.
面頁冊數:	144 p.
附註:	Source: Dissertation Abstracts International, Volume: 64-07, Section: A, page: 2315.
Contained By:	Dissertation Abstracts International64-07A.
標題:	Theater. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3096574

Performance theory and the contemporary French stage: Toward a semiotic concretization of Michel Azama's "Croisades" (Patrice Pavis).
Taylor, Scott Dwayne.

Performance theory and the contemporary French stage: Toward a semiotic concretization of Michel Azama's "Croisades" (Patrice Pavis). - 144 p.

Source: Dissertation Abstracts International, Volume: 64-07, Section: A, page: 2315.

Thesis (Ph.D.)--The Florida State University, 2003.

In the broadest sense, this study represents an exploration of current trends, issues and developments in contemporary French theatre, focusing on the areas of theory, dramaturgy and performance. Specifically, I have attempted a practical application of Patrice Pavis' model of concretization in an analysis of both the written and performance text of Michel Azama's Croisades .Subjects--Topical Terms:

522973
Theater.

Performance theory and the contemporary French stage: Toward a semiotic concretization of Michel Azama's "Croisades" (Patrice Pavis).
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245 1 0 $a Performance theory and the contemporary French stage: Toward a semiotic concretization of Michel Azama's "Croisades" (Patrice Pavis).
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500 $a Source: Dissertation Abstracts International, Volume: 64-07, Section: A, page: 2315.
500 $a Major Professor: Elaine D. Cancalon.
502 $a Thesis (Ph.D.)--The Florida State University, 2003.
520 $a In the broadest sense, this study represents an exploration of current trends, issues and developments in contemporary French theatre, focusing on the areas of theory, dramaturgy and performance. Specifically, I have attempted a practical application of Patrice Pavis' model of concretization in an analysis of both the written and performance text of Michel Azama's Croisades .
520 $a Pavis' model marks a significant shift in the field of theater studies in that it establishes a trend toward holistic, multilateral and globalized analysis; it includes discussions on how signs are constructed, received and manipulated in the process of signification and gives special attention to the question of fictionalization and ideologization of the text.
520 $a As for performance, this study looks at a production of Azama's play by Les Creations Diving Horse, a Quebecois theatre company in Montreal, Canada founded by Phoebe Greenberg whose work is particularly oriented toward an exploration of buffoonery as a means of achieving a distanced and universalized critique of the human condition.
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