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In his image: The ideal woman of se...
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Moody, Jennifer Joy.
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In his image: The ideal woman of seventeenth-century France.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
In his image: The ideal woman of seventeenth-century France./
作者:
Moody, Jennifer Joy.
面頁冊數:
332 p.
附註:
Source: Dissertation Abstracts International, Volume: 64-06, Section: A, page: 2221.
Contained By:
Dissertation Abstracts International64-06A.
標題:
History, European. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3095807
In his image: The ideal woman of seventeenth-century France.
Moody, Jennifer Joy.
In his image: The ideal woman of seventeenth-century France.
- 332 p.
Source: Dissertation Abstracts International, Volume: 64-06, Section: A, page: 2221.
Thesis (Ph.D.)--Auburn University, 2003.
Seventeenth-century France is best known as the age of Louis XIV, a king who fashioned his public image and regulated its dispersal. Following his example, the elite in France also devised personae for public consumption. But, their letters, memoirs, novels and plays reveal different personae than the ones being assumed by the individuals when in society. One can assume that these people would design a persona that was considered ideal.Subjects--Topical Terms:
1018076
History, European.
In his image: The ideal woman of seventeenth-century France.
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Source: Dissertation Abstracts International, Volume: 64-06, Section: A, page: 2221.
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Seventeenth-century France is best known as the age of Louis XIV, a king who fashioned his public image and regulated its dispersal. Following his example, the elite in France also devised personae for public consumption. But, their letters, memoirs, novels and plays reveal different personae than the ones being assumed by the individuals when in society. One can assume that these people would design a persona that was considered ideal.
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This dissertation uses primarily the non-fiction prescriptive literature of the period to discern the ideal woman. But, because France was divided by a debate known as the querelle des femmes, which argued the role of women in society, there are, in fact, three distinct models of the ideal. The dominant social code for French society during this period was that of a group that Carolyn Lougee named the antifeminists. This group maintained that women had no role outside the domestic sphere and held medieval views about women's inferiority in all matters, including spirituality. Lougee identified one other group, which she named the feminists, who desired complete equality between men and women and felt women should participate fully in society. There was, however, also a third group that Lougee missed, the moderates, who praised the role of wife and mother for women and saw it as the calling of most women, and yet, they believed in full equality of opportunities for women in education and spirituality.
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Each group presented their views through the rhetoric of honnetete , a form of civility that dominated society during the sixteenth and seventeenth centuries. Furthermore, each group employed different methodologies. Forthe antifeminists, it was medieval rhetoric and biblical exegesis, citing the Church fathers as authorities. The feminists divided between a Neo-Platonic and Cartesian approach. As a whole, they did not cite the Bible as an authority, preferring to speak of natural rights. The moderates relied on a humanist approach, citing the Bible. Although each group claimed that their ideal woman (honnete femme) was drawn from the biblical ideal, it was the moderates who came closest to the ideal woman of the Bible.
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