語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Living at the edge of the world: Ma...
~
Mittman, Asa Simon.
FindBook
Google Book
Amazon
博客來
Living at the edge of the world: Marginality and monstrosity in Anglo-Saxon manuscripts and beyond (England, Ireland, Cambrensis Giraldus).
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Living at the edge of the world: Marginality and monstrosity in Anglo-Saxon manuscripts and beyond (England, Ireland, Cambrensis Giraldus)./
作者:
Mittman, Asa Simon.
面頁冊數:
440 p.
附註:
Source: Dissertation Abstracts International, Volume: 64-05, Section: A, page: 1439.
Contained By:
Dissertation Abstracts International64-05A.
標題:
Art History. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3090739
Living at the edge of the world: Marginality and monstrosity in Anglo-Saxon manuscripts and beyond (England, Ireland, Cambrensis Giraldus).
Mittman, Asa Simon.
Living at the edge of the world: Marginality and monstrosity in Anglo-Saxon manuscripts and beyond (England, Ireland, Cambrensis Giraldus).
- 440 p.
Source: Dissertation Abstracts International, Volume: 64-05, Section: A, page: 1439.
Thesis (Ph.D.)--Stanford University, 2003.
Anglo-Saxon England was a deeply multi-cultural society, with its members drawn from the Angles, Saxons, Jutes, Britons and Romans, Celtics and Galls. In order to provide some measure of national unity to this ethnic and cultural multiplicity, illuminators and authors cast their gazes outward to more disparate "Others," both near and far. In texts and images, they depicted the Vikings, Danes, Scots and Picts as monstrous, bestial men and the more remote inhabitants of Africa and Asia as literal monsters, including the dog-headed, fire-breathing cynocephali, the one-footed sciopods and the fascinating headless, mindless, possibly soulless blemmyes, who seem to exist as an embodiment of man's basest desires. These creatures, along with a fantastic host of dragons, ogres and elves, populated the Anglo-Saxon world with a very real presence. These chapters contain visual and textual evidence of a world view in which the Anglo-Saxons viewed England as geographically peripheral and therefore a potent site for potential salvation. Chapter 1 covers the composition of world maps, reconceptualizing their structure as radial rather than linear, with the British Isles located in a marginal, monster-filled band that demarcates the boundaries of the inhabitable world. Chapter 2 examines a selection of these monsters as they appear on the mappaemundi and in The Marvels of the East, a trio of manuscripts devoted to their cataloging and classification. They are composed of consciously constructed hybrid bodies which, by contrast, render the bodies of their viewers as stable and normal. Chapter 3 is a study of Gerald of Wales' Topography of Ireland. This later text incorporates all of the themes present in the various earlier works, redefining and shifting the perception of England. Chapter 4 covers inhabited initial letters, which are often composed of monstrous, human, animal and plant elements in free association with one another. Through these images, the illuminators established a violently animate world in which orders of life continually merge and blend, at once lending concrete physicality to the monsters and tempestuous animation to the trees and vines of the English forests and fens which lay, dark and brooding, just outside monastery and town walls.*Subjects--Topical Terms:
635474
Art History.
Living at the edge of the world: Marginality and monstrosity in Anglo-Saxon manuscripts and beyond (England, Ireland, Cambrensis Giraldus).
LDR
:03342nmm 2200289 4500
001
1863644
005
20041215130322.5
008
130614s2003 eng d
035
$a
(UnM)AAI3090739
035
$a
AAI3090739
040
$a
UnM
$c
UnM
100
1
$a
Mittman, Asa Simon.
$3
1951159
245
1 0
$a
Living at the edge of the world: Marginality and monstrosity in Anglo-Saxon manuscripts and beyond (England, Ireland, Cambrensis Giraldus).
300
$a
440 p.
500
$a
Source: Dissertation Abstracts International, Volume: 64-05, Section: A, page: 1439.
500
$a
Adviser: Suzanne Lewis.
502
$a
Thesis (Ph.D.)--Stanford University, 2003.
520
$a
Anglo-Saxon England was a deeply multi-cultural society, with its members drawn from the Angles, Saxons, Jutes, Britons and Romans, Celtics and Galls. In order to provide some measure of national unity to this ethnic and cultural multiplicity, illuminators and authors cast their gazes outward to more disparate "Others," both near and far. In texts and images, they depicted the Vikings, Danes, Scots and Picts as monstrous, bestial men and the more remote inhabitants of Africa and Asia as literal monsters, including the dog-headed, fire-breathing cynocephali, the one-footed sciopods and the fascinating headless, mindless, possibly soulless blemmyes, who seem to exist as an embodiment of man's basest desires. These creatures, along with a fantastic host of dragons, ogres and elves, populated the Anglo-Saxon world with a very real presence. These chapters contain visual and textual evidence of a world view in which the Anglo-Saxons viewed England as geographically peripheral and therefore a potent site for potential salvation. Chapter 1 covers the composition of world maps, reconceptualizing their structure as radial rather than linear, with the British Isles located in a marginal, monster-filled band that demarcates the boundaries of the inhabitable world. Chapter 2 examines a selection of these monsters as they appear on the mappaemundi and in The Marvels of the East, a trio of manuscripts devoted to their cataloging and classification. They are composed of consciously constructed hybrid bodies which, by contrast, render the bodies of their viewers as stable and normal. Chapter 3 is a study of Gerald of Wales' Topography of Ireland. This later text incorporates all of the themes present in the various earlier works, redefining and shifting the perception of England. Chapter 4 covers inhabited initial letters, which are often composed of monstrous, human, animal and plant elements in free association with one another. Through these images, the illuminators established a violently animate world in which orders of life continually merge and blend, at once lending concrete physicality to the monsters and tempestuous animation to the trees and vines of the English forests and fens which lay, dark and brooding, just outside monastery and town walls.*
520
$a
*This dissertation is multimedia (contains text and other applications not available in printed format).
590
$a
School code: 0212.
650
4
$a
Art History.
$3
635474
650
4
$a
Literature, Medieval.
$3
571675
650
4
$a
History, Medieval.
$3
925067
690
$a
0377
690
$a
0297
690
$a
0581
710
2 0
$a
Stanford University.
$3
754827
773
0
$t
Dissertation Abstracts International
$g
64-05A.
790
1 0
$a
Lewis, Suzanne,
$e
advisor
790
$a
0212
791
$a
Ph.D.
792
$a
2003
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3090739
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9182344
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入