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The Wilde drama of Lytton Strachey's...
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Snape, Annette Teta.
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The Wilde drama of Lytton Strachey's biographies (Oscar Wilde, Ireland).
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Wilde drama of Lytton Strachey's biographies (Oscar Wilde, Ireland)./
作者:
Snape, Annette Teta.
面頁冊數:
233 p.
附註:
Source: Dissertation Abstracts International, Volume: 64-05, Section: A, page: 1674.
Contained By:
Dissertation Abstracts International64-05A.
標題:
Literature, English. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3089340
The Wilde drama of Lytton Strachey's biographies (Oscar Wilde, Ireland).
Snape, Annette Teta.
The Wilde drama of Lytton Strachey's biographies (Oscar Wilde, Ireland).
- 233 p.
Source: Dissertation Abstracts International, Volume: 64-05, Section: A, page: 1674.
Thesis (Ph.D.)--New York University, 2003.
This dissertation undertakes an intertextual examination of the works of Oscar Wilde and Lytton Strachey, one that reveals patterns of repetition and revision in their oeuvre and that seeks to clarify both Wilde's influence on Strachey and Strachey's overcoming of it. A significant parallel between Strachey and Wilde is the way their texts undermine the traditional delineation of gender roles using a rhetorical campaign of wit and irony often filtered through the medium of camp. This reading demonstrates that Wilde's dramatic works, in particular The Importance of Being Earnest (1895), An Ideal Husband (1895), and Salome (1891), informed Strachey's biographies, Eminent Victorians (1918), Queen Victoria (1921), and Elizabeth and Essex (1928), respectively. Indeed, in drawing on Wilde's early drama, Strachey refined it into his own genre of psychobiography, always anxiously engaging with his precursor. Characteristically, Strachey defends himself against Wilde with the predominant instrument they share---humor---playfully looking back to his forerunner in an attempt to assuage the anxiety he causes him.Subjects--Topical Terms:
1017709
Literature, English.
The Wilde drama of Lytton Strachey's biographies (Oscar Wilde, Ireland).
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This dissertation undertakes an intertextual examination of the works of Oscar Wilde and Lytton Strachey, one that reveals patterns of repetition and revision in their oeuvre and that seeks to clarify both Wilde's influence on Strachey and Strachey's overcoming of it. A significant parallel between Strachey and Wilde is the way their texts undermine the traditional delineation of gender roles using a rhetorical campaign of wit and irony often filtered through the medium of camp. This reading demonstrates that Wilde's dramatic works, in particular The Importance of Being Earnest (1895), An Ideal Husband (1895), and Salome (1891), informed Strachey's biographies, Eminent Victorians (1918), Queen Victoria (1921), and Elizabeth and Essex (1928), respectively. Indeed, in drawing on Wilde's early drama, Strachey refined it into his own genre of psychobiography, always anxiously engaging with his precursor. Characteristically, Strachey defends himself against Wilde with the predominant instrument they share---humor---playfully looking back to his forerunner in an attempt to assuage the anxiety he causes him.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3089340
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