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Aristocratizing the community: Roger...
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Welch, John S.
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Aristocratizing the community: Roger Fenton and British photography in the 1850s.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Aristocratizing the community: Roger Fenton and British photography in the 1850s./
作者:
Welch, John S.
面頁冊數:
458 p.
附註:
Source: Dissertation Abstracts International, Volume: 65-01, Section: A, page: 0006.
Contained By:
Dissertation Abstracts International65-01A.
標題:
Art History. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3120440
Aristocratizing the community: Roger Fenton and British photography in the 1850s.
Welch, John S.
Aristocratizing the community: Roger Fenton and British photography in the 1850s.
- 458 p.
Source: Dissertation Abstracts International, Volume: 65-01, Section: A, page: 0006.
Thesis (Ph.D.)--Princeton University, 2004.
This dissertation examines the complex aesthetic and social dictates of Victorian culture which influence the photography of Roger Fenton during the 1850s in Britain.Subjects--Topical Terms:
635474
Art History.
Aristocratizing the community: Roger Fenton and British photography in the 1850s.
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Aristocratizing the community: Roger Fenton and British photography in the 1850s.
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458 p.
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Source: Dissertation Abstracts International, Volume: 65-01, Section: A, page: 0006.
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Adviser: Peter C. Bunnell.
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Thesis (Ph.D.)--Princeton University, 2004.
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This dissertation examines the complex aesthetic and social dictates of Victorian culture which influence the photography of Roger Fenton during the 1850s in Britain.
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Roger Fenton practiced photography at a moment in British history when the medium's control was transitioning from an insular group of gentleman-amateurs to the larger world of professional or commercial photographers. This study examines why th
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Roger Fenton's biography and personal means are explored in relation to the long standing paradigm of amateur versus professional photographers. Select groups of his photographs representing major benchmarks in his career are examined to identif
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Ultimately, insight and answers are brought to questions such as: Could Fenton afford to practice photography as a gentleman-amateur? What cohesive element is apparent throughout Fenton's photographic career which might reflect a consistent aest
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