東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Country critics: Musica caipira and...

Dent, Alexander Sebastian.

Linked to FindBook

Google Book

Amazon

博客來

Country critics: Musica caipira and the production of locality in Brazil.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Country critics: Musica caipira and the production of locality in Brazil./
Author:	Dent, Alexander Sebastian.
Description:	284 p.
Notes:	Source: Dissertation Abstracts International, Volume: 64-07, Section: A, page: 2538.
Contained By:	Dissertation Abstracts International64-07A.
Subject:	Anthropology, Cultural. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3097097

Country critics: Musica caipira and the production of locality in Brazil.
Dent, Alexander Sebastian.

Country critics: Musica caipira and the production of locality in Brazil. - 284 p.

Source: Dissertation Abstracts International, Volume: 64-07, Section: A, page: 2538.

Thesis (Ph.D.)--The University of Chicago, 2003.

How is music used to produce locality within the context of the re-democratization and economic liberalization of Brazil in the late 20th century?Subjects--Topical Terms:

735016
Anthropology, Cultural.

Country critics: Musica caipira and the production of locality in Brazil.
LDR:02380nmm 2200301 4500 001 1862426
005 20041202093445.5
008 130614s2003 eng d
035 $a (UnM)AAI3097097
035 $a AAI3097097
040 $a UnM $c UnM
100 1 $a Dent, Alexander Sebastian. $3 1949980
245 1 0 $a Country critics: Musica caipira and the production of locality in Brazil.
300 $a 284 p.
500 $a Source: Dissertation Abstracts International, Volume: 64-07, Section: A, page: 2538.
500 $a Adviser: Andrew Apter.
502 $a Thesis (Ph.D.)--The University of Chicago, 2003.
520 $a How is music used to produce locality within the context of the re-democratization and economic liberalization of Brazil in the late 20th century?
520 $a This dissertation concerns a revival of interest in traditional rural musical genres in the contemporary Brazilian Central-South---genres known as musica caipira and musica de viola . I argue that the interlocking generic features of rural musical texts, including lyrical motifs, 'hick,' non-Standard pronunciation and usage, instrumentation, vocal styling, rhythm, and harmonization, offer performers and listeners a rural poetics with which to criticize Brazil's approach to urbanization over the last century. Music's special force is partly attributed to the central role it is thought to have played in Central-Southern social reproduction in bygone days. It is also thought to offer a particular voicing unavailable to users of other media. For these Revivalists, music seduces at the same time as it argues. It hits you in the head and the heart.
520 $a Since this Revivalist practice simultaneously criticizes and draws upon other Brazilian musical genres, I will develop an analysis of the field of musical production. In this way I will delineate other musical approaches to the rural, and contrast these with that of the Revivalists, for whom 'country' entails counteracting the seemingly insurmountable calls to progress made by big business, language-standardizing institutions, and the massive entertainment industry.
590 $a School code: 0330.
650 4 $a Anthropology, Cultural. $3 735016
650 4 $a Music. $3 516178
650 4 $a Language, General. $3 1018089
690 $a 0326
690 $a 0413
690 $a 0679
710 2 0 $a The University of Chicago. $3 1017389
773 0 $t Dissertation Abstracts International $g 64-07A.
790 1 0 $a Apter, Andrew, $e advisor
790 $a 0330
791 $a Ph.D.
792 $a 2003
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3097097