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On boundaries and beliefs: Rock art ...
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Munson, Marit Karina.
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On boundaries and beliefs: Rock art and identity on the Pajarito Plateau (New Mexico).
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
On boundaries and beliefs: Rock art and identity on the Pajarito Plateau (New Mexico)./
作者:
Munson, Marit Karina.
面頁冊數:
315 p.
附註:
Source: Dissertation Abstracts International, Volume: 63-11, Section: A, page: 3990.
Contained By:
Dissertation Abstracts International63-11A.
標題:
Anthropology, Archaeology. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3072036
ISBN:
0493918213
On boundaries and beliefs: Rock art and identity on the Pajarito Plateau (New Mexico).
Munson, Marit Karina.
On boundaries and beliefs: Rock art and identity on the Pajarito Plateau (New Mexico).
- 315 p.
Source: Dissertation Abstracts International, Volume: 63-11, Section: A, page: 3990.
Thesis (Ph.D.)--The University of New Mexico, 2002.
This dissertation examines the nature of identity and interaction in ancient Puebloan society on the Pajarito Plateau, New Mexico, focusing on religious integration and boundary maintenance among ethnic groups and communities. Based in social psychological perspectives on identity and artistic expression, this research centers on the distribution and content of rock art across the Pajarito Plateau. The imagery was dated to the mid-12th to late 16th centuries, using a combination of relative dating methods and Correspondence Analysis for stylistic seriation.
ISBN: 0493918213Subjects--Topical Terms:
622985
Anthropology, Archaeology.
On boundaries and beliefs: Rock art and identity on the Pajarito Plateau (New Mexico).
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On boundaries and beliefs: Rock art and identity on the Pajarito Plateau (New Mexico).
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Source: Dissertation Abstracts International, Volume: 63-11, Section: A, page: 3990.
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Adviser: Patricia Crown.
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Thesis (Ph.D.)--The University of New Mexico, 2002.
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This dissertation examines the nature of identity and interaction in ancient Puebloan society on the Pajarito Plateau, New Mexico, focusing on religious integration and boundary maintenance among ethnic groups and communities. Based in social psychological perspectives on identity and artistic expression, this research centers on the distribution and content of rock art across the Pajarito Plateau. The imagery was dated to the mid-12th to late 16th centuries, using a combination of relative dating methods and Correspondence Analysis for stylistic seriation.
520
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This new chronology highlights the dramatic changes that occurred in the context, content, visibility, and style of rock art in the late 13th century. Naturalistic Coalition period imagery, located almost entirely inside cavate rooms, was a private or familial mode of expression, removed from the larger society; the later Classic period imagery, in contrast, is stylized and geometric, with an emphasis on human figures. Readily visible to individuals within each village, these public Classic images reflect the adoption of an encompassing religious ideology in the northern Rio Grande region. Variation within the imagery, however, does not correspond to the location of historic language group boundaries on the Pajarito; instead, the distribution of Classic rock art provides evidence of the development of strong community-based identity.
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This research considers the implications of overlapping linguistic, ritual, and material boundaries on the Pajarito Plateau, shedding new light on the complex interactions and negotiations that are an intrinsic factor in the construction and maintenance of group identity and social boundaries. While this study thus adds to our understanding of the prehistory of the northern Rio Grande, it also has broader applicability to other areas, providing insight into the function of imagery in middle-range societies and the nature of relationships and interaction in diverse communities.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3072036
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