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Dance within the Old Testament: An e...
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Turpin, Tabitha Marie.
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Dance within the Old Testament: An exegetical and theological perspective of hul and pasah.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Dance within the Old Testament: An exegetical and theological perspective of hul and pasah./
作者:
Turpin, Tabitha Marie.
面頁冊數:
75 p.
附註:
Source: Masters Abstracts International, Volume: 41-03, page: 0681.
Contained By:
Masters Abstracts International41-03.
標題:
Religion, Biblical Studies. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1411598
ISBN:
0493924434
Dance within the Old Testament: An exegetical and theological perspective of hul and pasah.
Turpin, Tabitha Marie.
Dance within the Old Testament: An exegetical and theological perspective of hul and pasah.
- 75 p.
Source: Masters Abstracts International, Volume: 41-03, page: 0681.
Thesis (M.A.)--Oral Roberts University, 2003.
Upon close exegetical inspection of two Hebrew roots for dance used in the Old Testament (<italic>h&dotbelow;ûl</italic> and <italic>pāsah&dotbelow; </italic>), the theological relationship of the Israelites to their God YHWH comes into greater clarity. The religion of the Israelites consumed every aspect of their culture. Their dances, whether celebratory or worship-centered, revealed their relationship with YHWH. Idolatrous feasting, dancing, and worship clearly displayed the people's separation from a monotheistic lifestyle. Through the evident role of dance in Israelite celebration and worship, God's jealous nature called for sacred dance to establish “no other gods before Me” (Exo. 20:3). God coveted the dance, including the dances of celebration and victory, as sacred worship unto Himself alone. Indeed, the Old Testament passages containing <italic>h&dotbelow;ûl</italic> and <italic>pāsah&dotbelow; </italic> reveal the heart of the people toward their God as well as the covetous nature of God toward sacred worship and dance.
ISBN: 0493924434Subjects--Topical Terms:
1020189
Religion, Biblical Studies.
Dance within the Old Testament: An exegetical and theological perspective of hul and pasah.
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Source: Masters Abstracts International, Volume: 41-03, page: 0681.
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Upon close exegetical inspection of two Hebrew roots for dance used in the Old Testament (<italic>h&dotbelow;ûl</italic> and <italic>pāsah&dotbelow; </italic>), the theological relationship of the Israelites to their God YHWH comes into greater clarity. The religion of the Israelites consumed every aspect of their culture. Their dances, whether celebratory or worship-centered, revealed their relationship with YHWH. Idolatrous feasting, dancing, and worship clearly displayed the people's separation from a monotheistic lifestyle. Through the evident role of dance in Israelite celebration and worship, God's jealous nature called for sacred dance to establish “no other gods before Me” (Exo. 20:3). God coveted the dance, including the dances of celebration and victory, as sacred worship unto Himself alone. Indeed, the Old Testament passages containing <italic>h&dotbelow;ûl</italic> and <italic>pāsah&dotbelow; </italic> reveal the heart of the people toward their God as well as the covetous nature of God toward sacred worship and dance.
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