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The influence of the liturgy on the ...

Zamzow, Beth Ann.

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The influence of the liturgy on the fifteenth-century English carols.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The influence of the liturgy on the fifteenth-century English carols./
作者:	Zamzow, Beth Ann.
面頁冊數:	488 p.
附註:	Source: Dissertation Abstracts International, Volume: 61-06, Section: A, page: 2099.
Contained By:	Dissertation Abstracts International61-06A.
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9975862
ISBN:	0599815337

The influence of the liturgy on the fifteenth-century English carols.
Zamzow, Beth Ann.

The influence of the liturgy on the fifteenth-century English carols. - 488 p.

Source: Dissertation Abstracts International, Volume: 61-06, Section: A, page: 2099.

Thesis (Ph.D.)--The University of Iowa, 2000.

The poetry of the fifteenth-century English carols is permeated with quotations and paraphrases from the liturgy of the Use of Salisbury. The high level of erudition of the text authors is evident in the sensitive conflation of liturgical quotations and scriptural allusions as well as in the sophisticated constructions of the carol poetry.

ISBN: 0599815337Subjects--Topical Terms:

516178
Music.

The influence of the liturgy on the fifteenth-century English carols.
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245 1 4 $a The influence of the liturgy on the fifteenth-century English carols.
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502 $a Thesis (Ph.D.)--The University of Iowa, 2000.
520 $a The poetry of the fifteenth-century English carols is permeated with quotations and paraphrases from the liturgy of the Use of Salisbury. The high level of erudition of the text authors is evident in the sensitive conflation of liturgical quotations and scriptural allusions as well as in the sophisticated constructions of the carol poetry.
520 $a The music of the liturgy is incorporated into carols containing quotations of liturgical texts in about 35 percent of the repertory. The extent of a direct quotation ranges from an entire chant to selected phrases. Paraphrase by amplification involves ornamental insertions between the quoted pitches; in contrast, paraphrase by reduction uses selected pitches to preserve the contour of the chant within the melodic and polyphonic fabric of the carol. Reflections of mode and other structural similarities represent a broad type of liturgical paraphrase and, in some cases, prove to be the most intellectually stimulating.
520 $a The dissertation is organized as follows: The introduction is an extensive analytical overview of the carol repertory at large. This establishes the foundation for an intensive study of the texts. Part One is an apparatus through which as many liturgical, patristic and scriptural allusions as possible are identified and linked to a specific carol text; the texts have been reproduced on the page preceding each apparatus. Presenting the texts in this format illustrates to the reader the high degree to which the carols are saturated with these allusions. Following the text apparatus are musical examples illustrating plainchant quotations, paraphrases, and other modal and structural similarities in the music of 45 carols. Part Two is a set of essays designed to define the techniques and delineate the multifaceted issues of such quotation and paraphrase techniques. Each language combination is addressed as well as topics such as metrical and non-metrical liturgical source texts, the commonality of subject matter, and the levels of saturation. The appendices contain liturgical source texts, an alphabetical list of the liturgical quotations in the carol poetry, and fresh translations of the Latin carols.
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